A Quote by Ali Smith

There is a kind of poetry, bad and good, in evrything, everywhere we look. — © Ali Smith
There is a kind of poetry, bad and good, in evrything, everywhere we look.

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A physicist looks for causes; that does not necessarily imply that there are causes everywhere. A man may look for gold without assuming that there is gold everywhere; if he finds gold, well and good, if he doesn't he's had bad luck. The same is true when the physicists look for causes.
Poetry is a street fighter. It has sharp elbows. It can look after itself. Poetry can't be used for manipulation; it's why you never see good poetry in advertising.
In his youth, Wordsworth sympathized with the French Revolution, went to France, wrote good poetry and had a natural daughter. At this period, he was a bad man. Then he became good, abandoned his daughter, adopted correct principles and wrote bad poetry.
What poetry does above all else is develop sensibility. And that's what makes poetry so dangerous. That's why poetry is so good at undermining governments and so bad at building them. There's nothing harder to organize than a group of poets.
I began writing poetry when I was about 10. Bad poetry, but you start with bad poetry.
For a lot of people, well-meaning teaching has made poetry seem arcane, difficult, a kind of brown-knotting medicine that might be good for you but doesn't taste so good. So I tried to make a collection of poetry that would be fun. And that would bring out poetry as an art, rather than the challenge to say smart things.
I wrote poetry in middle school and high school and even through college. It was bad. I just don't think I'm very good at writing poetry. I mean, the distillation, I think, is hard for me, but I love poetry.
I get it everywhere, 'Look at the math teacher. Look at the science teacher.' I get it everywhere I go, which I can kind of enjoy.
When it comes to partisan politics, everyone is a hypocrite. And all they care about is whether it hurts or helps them ... Is it good or bad for the Democrats? Is it good or bad for the Republicans? Is it good or bad for Jews, or good or bad for blacks, or is it good or bad for women? Is it good or bad for men? Is it good or bad for gays? That's the way people think about issues today. There is very little discussion of enduring principles.
Poetry from the bottom up is an act of selection: you kind of feel your way through the crowds of poems. The good ones came forward a long time ago, and the bad ones fell away.
A successful poem says what a poet wants to say, and more, with particular finality. The remarks he makes about his poems are incidental when the poem is good, or embarrassing or absurd when it is bad and he is not permitted to say how the good poem is good, and may never know how the bad poem is bad. It is better to write about other people's poetry.
I think the biggest thing I've learned from my international experience is that it's our systems that are different. People are the same everywhere. The system puts restraints on people. But they're good and bad, generous and selfish everywhere.
I have piles of poetry books in the bathroom, on the stairs, everywhere. The only way to write poetry is to read it.
To succeed, you have to do something and be very bad at it for a while. You have to look bad before you can look really good.
What the world wants, what the world is waiting for, is not Modern Poetry or Classical Poetry or Neo-Classical Poetry - but Good Poetry. And the dreadful disreputable doubt, which stirs in my own skeptical mind, is doubt about whether it would really matter much what style a poet chose to write in, in any period, as long as he wrote Good poetry.
Homosexuals are delicate and bad poetry is delicate and [Allen] Ginsberg turned the tables by making homosexual poetry strong poetry, almost manly poetry; but in the long run, the homo will remain the homo and not the poet.
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