A Quote by Ali Wong
Some people do specials, like, when they've only been doing comedy for three years or something. Which is fine! But I'm kind of old fashioned, and I knew that I didn't want to do one too early.
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I want to do a collaboration or some kind of side thing or some soundtrack work. Because I've been doing this for years and years. I'd like to just step out and try something different.
The second disk was taped at our all-night anniversary show. And some of those sets are taped at like 4:30 or 5 in the morning, when people are a little groggy and not doing what they would do if they knew it was being recorded. That said, that disk has an entirely different flavor. It's more experimental. It has more of the newcomers on it. It has people doing stuff that you won't see on Comedy Central or HBO specials.
When they first start doing comedy, new comics or even people that have only been doing it three or four years, they're doing an impersonation of a stand-up. This is what I think a stand-up should sound like.
I'm a big fan of PlayStation 4. I like watching movies, TV shows, comedy specials, and listening to comedy albums and music. I'm also a big fan of getting coffee with a friend or catching up on the phone with people I've known for years, people who keep me grounded, who knew me before.
I've been doing comedy longer than I haven't been doing comedy, as I was performing for three years before I even got on 'The Tonight Show.' There's truly nothing like it; it's intense and exhilarating, even though it looks so casual.
I am not doing comedy because the genre is successful. If that was the case, I would have done a run-of-the-mill comedy film. I set my own trends. I like to give something new and different to my audiences. I want to do the kind of comedy that has been missing till now.
I've been very lucky with the people I've met over the years. Way back in the early '70s I went to [Phil] Seuling's conventions for something like three years in a row from '70 to '72 and I remember at the '72 luncheon with the Academy of Comic Book Artists and talking with John Romita about the kind of brushes he used. Pros ask pros the same questions that fans do. "What kind of pens do you use? What kind of brushes do you use?" I was so amazed that the wonderful work John Romita was doing was accomplished with a Windsor-Newton series 7 Number 4. Not a 2 or a 3, but a 4.
When you get many opportunities early on, and you have people who have been working for a while counting on you, you have to at least pretend that you know what you're doing. So any actor that's pretending, you start to develop philosophies. Without years and years of experience, you kind of go with an attitude that you know what you're doing. And so I think right around that time, I was kind of at the peak of rigidly thinking that I knew how to work in film in a way that I wanted to. Cameron was extremely patient and generous with me.
I think some people have a different idea of what the band Young the Giant is. We're normal guys. We're down to earth. We like doing other things besides music although for the past three years music has been our life. We're not trying to be too pretentious. Some people take that as a red flag. They say, 'these guys are boring' or 'they don't have anything flamboyant or left field-ish to say,' but if they don't like that then they don't like that. That's who we are. Just even tempered people. We're not too crazy.
The time came around where the label was like, "Well, if you want something to come out in early 2017, it's going to have to be done by, like, so-and-so." So I plucked some of the old songs and wrote some new ones. Everybody keeps asking me, "Is this your L.A. record?" I was doing songs in a bedroom in New York, I was doing it in a bedroom in L.A. The only difference is when I look out the window, there's palm trees instead of snow.
I've always taken a lot of cues from comedy minds. The guy that discovered me in the very beginning was Joseph Cates. Joe and Gil Cates were the Cates brothers. Gil produced the Oscars for many years. Joe produced a lot of comedy specials, Steve Martin specials, and he discovered me, this 18-year-old kid.
You know, where I come from, an antique, to be called an antique, it has to be at least a hundred years old. That's a law: before you can call something an antique, it has to be a hundred years old. In L.A., something that's been around for a couple of weeks is an antique. It's true! People are like, Look at this old-fashioned iPod. Look at this! It's the size of a man's hand! Ha ha ha ha. Back then-back then, people thought Mel Gibson was just acting crazy. It was a very different time.
I'm living in a world that was created a hundred years ago with vaudeville and people traveling around and medicine shows and things and making live music on stage and I'm still doing that. I like it that way. I like to present something to people that's had 40 years of being honed and perfected. It's something that you're not going to find with an artist who's been around for two or three years, or even ten years.
I do an act, and I've been doing an act for 50 years. I do a variety show, which is a musical comedy show. I do comedy, and I do singing, Broadway show tunes and different songs that I like. Been doing it for many, many years.
I got fascinated with all of this work in terms of spirituality, philosophy, behavioral science when I was around 18 years old. I've been doing this for 14 years, and I've been doing it online for three years.
I like comedy, but I like comedy as a device in drama. It's more interesting for me to use comedy to seduce people into thinking about something serious. If you want to hit a beat in a drama, you can distract people with a little comedy, and you can punch them in the gut with some emotion.
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