A Quote by Ali Wong

When you have a child, you think about your own mortality. — © Ali Wong
When you have a child, you think about your own mortality.
Poetry at least in my own life, is really about your own mortality. Everything in poetry makes me think of my mortality. It is not a dark thing in life; it prepares you for the graceful things that happen in your life. It gives me a license to make any kind of picture I want with great courage.
Becoming a mother really put me in touch with not just my mortality but also my baby's mortality. You spent nine months working on this thing, and it's finally there, and the first thing you think about is, 'I don't want my child to die.'
You never think about your own mortality. At least not until your back gives way when you're 40.
There are no Hollywood stars speaking out for the elderly. They're forgotten, bewildered, and I don't think it's because people are cruel or don't care. It's because you don't want to think about your own mortality. I think people don't talk about it enough.
Whereas in America we are so fearful of mortality, we don't want to talk about it, we don't think about it, and in many ways we treat elderly people as invisible because they are a constant reminder of our own mortality. We put them away and put them in retirement homes so we don't want to deal with that.
One of the important things to learn about parenting is that the more you worry about a child, the less the child will worry abouthim- or herself....instead of worrying, watch with fascination and wonder as your child's life unfolds, and help the child take responsibility for his or her own life.
A good poem has its own life. It's like bringing a child into the world. You, the poet, birthed the child, but the child will surprise you continually. I think a work of art has its own aliveness, its own future.
When you have a baby you start thinking of death cuz' you see the opposite of life. I've calmed down now but for the first or two years, I kept thinking: "Oh my God, if I die what's going to happen to the child?" And you realise how vulnerable they are, but how critical your own life is because they're so dependent on you. You do feel your own mortality. I kept saying to myself: "OK, when they're 18, I'll be 'x'; so if they get married at 30, I'll be'x'will I get to see grandchildren?" So, since they've been born I've been thinking about death the whole time.
Parenting is not just about you and your kid; it's also about whomever you're parenting your child with. So there is a kind of 'awareness' involved for everybody. It's all about the way you interact with your child and participate in your child's life.
Making a film is like raising a child. You cannot raise a child to be liked by everyone. You raise a child to excel, and you teach the child to be true to his own nature. There will be people who'll dislike your child because he or she is who they are, and there will be people who'll love your child immensely for the very same reason.
'They Both Die At The End' is about coming face to face with your own mortality.
You're supposed to put the child in their own room at six weeks. I don't think your child should ever sleep with you.
If you can show your child what its like to be charming and giving, show your child what love is really all about and show your child unconditional love, show your child caring and compassion and understanding the nonjudgmental and that is what your child will become.
Every hour you sit at work increases your mortality 11 percent. Think about that.
As far as we know, we are the only species on the planet who have been given the gift-or curse, perhaps-of awareness about our own mortality. Everything here eventually dies; we're just the lucky ones who get to think about this fact every day.
The thought of my mortality - I think about it a lot. I find it motivating. It can be any time that your number's up.
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