A Quote by Ali Wong

Breast-feeding was so stressful for me. I kept on clenching and pushing my tongue against the bottom teeth, so they started to move toward an underbite. — © Ali Wong
Breast-feeding was so stressful for me. I kept on clenching and pushing my tongue against the bottom teeth, so they started to move toward an underbite.
People say, "You're still breast-feeding, that's so generous". Generous, no! It gives me boobs and it takes my thighs away! It's sort of like natural liposuction. I'd carry on breast-feeding for the rest of my life if I could.
People say, 'You're still breast-feeding, that's so generous.' Generous, no! It gives me boobs and it takes my thighs away! It's sort of like natural liposuction. I'd carry on breast-feeding for the rest of my life if I could.
Breast feeding activists plan to descend on Washington for a public breast feeding demonstration. Also descending on Washington, thousands of men saying, 'What? I'm looking at the baby.'
She started walking toward me and perfect white teeth caught her full bottom lip between them. I’d fantasized about those lips way too many times. She’d barely covered up her long tanned legs with a pair of shorts that made me want to go to church this Sunday just to thank God for creating her.
My mother's a genius. She just kept feeding me art on whatever we had; paper plates, silver platter, didn't matter. You know, she just kept feeding it to me. So we went to see all kinds of theater. We would go to the art museum pretty much every Sunday, and I would watch her. She let me know that art was supposed to touch.
I started as a writer for magazines, and soon they asked me to illustrate my stories. I started from the bottom of the bottom. And I climbed the stairs, one by one.
Because the church has moved away from the gospel anytime you move away from the gospel, you at the same time move toward pretense, you move toward image-keeping, you move toward the need to pretend.
I started writing when I was 26, so I don't even know what year that was. I wrote a script for me to star in. A friend of mine, who was an actor that I would compete against a lot, had written a script and was taking all these meetings. He just kept pushing me and was like, "You got to do it. You're going to love it!" He's a very successful screenwriter now. His name is Michael Bacall and he wrote 21 Jump Street, Project X, and Scott Pilgrim vs. the World. So it was a few factors.
Like pregnant women lose their teeth feeding the stranger, junkies lose their yellow fangs feeding the monkey.
When they kissed she immediately felt his tongue, tensed and strong, pushing past her teeth, like some bully shouldering his way into a room. Entering her.
I can relate to pushing yourself because you want to help and move culture toward justice.
With the breast-feeding, I really love the bonding. Real life is more important to me.
EWW. I'm at lunch, the woman at the table next to me is breast feeding her baby with no coverup.
We never gave up. We didn't get lost in a sea of despair. We kept the faith. We kept pushing and pulling. We kept marching. And we made some progress.
Savio Vega kept pushing me, pushing me, as he was teaching me, too, how to be a heel and things. And how to... 'Let's just try this tonight: just, we'll lock up, you'll go behind me, rub up and down my chest.'
Maybe I can pull at my breast in a kind of futile attempt to develop a woman's breast. It's not that simple to become a woman. But I think what was important, when I think back on that work, is something like The Little Engine That Could. It's me saying, I think I can, I think I can. Though I'm doing something I obviously can't, it's the process toward it that is important. The will toward it, the effort . . . My work was about getting to a place that you couldn't get to.
This site uses cookies to ensure you get the best experience. More info...
Got it!