A Quote by Alia Bhatt
For me, changing my physical appearance for a character is never a problem. If I have to look a certain way for a role, I just do it.
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As an actor, particularly because I'm - I would call myself a character actor. I change my look, my physical appearance and my body, my hair color, my whatever all the time for a role.
I know you're supposed to love yourself, but I really hate the way I look. When I look in the mirror I'm so disgusted by the chocolate blancmange abomination staring back at me, I actually apologise to my wife for my physical appearance. I've got no backside, an overhanging belly and I'm so disproportionate.
I feel it is important not to get overly obsessed and overly carried away with just the physical aspect. There is more to beauty than just the physical appearance. You are also a complete person, and a woman should have an identity beyond just the way she looks.
TV and film both attract me equally. In both, you do search for a role that would be enjoyable to do, that has a great storyline and then, secondly, you look at the cast and the crew - are they respectable? How I look at it is my character - has the character got enough substance? It can't just be a one faced character, which is there to fill a gap. He has to have a purpose, so if it ticks all of those boxes then generally it's a good choice.
I never really approach any project or story thinking of themes first or what a certain character 'represents.' Maybe other writers do, but for me, it just starts with the characters and a certain emotion I want to convey. It usually isn't until I get deeper into a book and look back a bit that I start to see the themes, etc.
When I look at a character, I never look at the size of the role. I always look at the whole person, no matter how much they're featured in the movie.
Let me fill you in on a few of my beliefs. First of all, I believe that I'll dress the way I want and I'll act the way I want. But most importantly, these fans don't just look at me for my appearance, they love me for what's on the inside.
When you go for something because you're curious about it, you get psyched up about the chance of getting into it. It's like an actor meets a role, and you slip into that body and see what happens, to experience certain conditions, to adopt a certain character. Even shooting is a study of the character. I think both the character and the actor, and eventually the filmmaker - myself - are finding a way to accept their environment and being accepted and feel comfortable of themselves.
It makes it easier, if you can't do an American accent. I don't know. It's different. I played a character in Never Let Me Go where the script for my character was very sparse, and I enjoyed it. With Never Let Me Go, I had a whole book written from my character's point of view, so I always knew where I was. But, with Ryan [Gosling], it was just easy. He's such a brilliant actor and he is so prepared. He doesn't have to warm himself up to be in a scene. He's just in it. It draws you in, in a way.
I don't care if you hate me or if you like me, as long as somebody gives me a character that is really a character to play. It's fun to be able to have a character and have a director that can direct you into a character. I'm just so happy that I got a good role. I don't care if it's bad or if it's good, and I don't care if it's drama or comedy. They are just so rare to come across.
Sometimes I've felt that the industry has typecast me as a certain kind of character. But then I think all it really takes is one role, the right role, to shake that up and change that perception.
My uncles represented a strength and a power I think that to a certain degree I looked up to. But from another perspective, I had really no artist role models to fall under. No guidance in terms of intellect. In terms of not having to relate to a physical persona to get through. I wanted to relate, combine the physical personal, combine the machismo with intellect, with intelligence, with craftsmanship, with creating works that people would just look at and their jaws would just drop open, and "Wow! This is like incredible work!"
The problem is the book business is changing so we're in a difficult moment now and if the business model is changing, I don't know if I'm going to have to look what's in store for me at that level but fortunately, I broke in earlier.
Certain roles, I just won't invest in. I'll go in and audition, but I might not spend five hours trying to figure out what the character is really about or go so deep into it. I might just learn the lines and go in and try my best because I know it's not safe for me to love the character or to fall in love with the idea of the role.
People will make judgments before you even speak based on the way you look. Most definitely your physical appearance matters. The way you dress, your hygiene - it all matters.
I try to look at every role the same way, regardless of whether the character is real or the character is a fantasy. I always start from myself, because you have to know yourself first.
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