A Quote by Alia Bhatt
A role needs a certain tone, so your own tone also changes. It's not like I lock myself up in a room to get into the zone. It is based on what I am feeling, because the minute you try too much, weird things happen. Of course, for an intense role you need some silence, and you need to do a lot of thinking.
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In order to produce learned fear, you take a neutral stimulus like a tone, and you pair it with an electrical shock. Tone, shock. Tone, shock. So the animal learns that the tone is bad news. But you can also do the opposite - shock it at other times, but never when the tone comes on.
To be fearless is to be reckless. I think you need a certain level of fear because you need to respect the danger and the minute you stop sensing fear, that's the minute you stop respecting the danger, and that's when things can happen. Obviously, you can't panic. It can't be overwhelming. It can't be paralyzing. You always need to have that pit in your stomach. You always need to have that awareness about you.
Some writers whom I respect very much, like China Miéville and some others of the New Weird, consider the true role of fantasy to be not Tolkienesque consolation but subversion - a kind of rebe Ûllion from
complacency. Yes, I can see what is meant here. And I also see the need to change, to fix, to drastically improve the human lot.
I had a strong vision for 'The Best Man Holiday,' so I was able to translate that to the actors and ultimately to the screen. Things can't get too heavy or too outrageously funny; it has to strike a balance. Tone is everything. If you've set the right tone, you can get away with a lot of stuff. You can get away with making people cry.
I just see many, many untruthful things. I see tone, the word tone. The tone is such hatred. I'm really not a bad person, by the way.The tone is such - I do get good ratings, you have to admit that.
I get letters from kids from all over the country. I always try to answer them because there were people I looked up to in my youth and just wanted to be in contact with. It's also important to realize that you find your role models in a lot of different places. I've never believed that your role models have to look like you. You can find them in all sort of colors, shapes and sizes.
I don't try to worry about sounding like anybody because I know I have my own tone, my own sound. It's just about being honest in a song and trying to relate myself or how to basically break it down as simple as possible for someone to try to understand it. Not being too deep, not being too shallow at the same time.
You need young, hungry, developing players in your team, but you also need that experience to level things out and get hold of some of the youngsters when they need advice in certain areas of the pitch.
I was never a pretty girl, so I wasn't the one to get the boy. I used to cast myself as a good sport. Sometimes I wonder if I do that too much with roles I play, because if I'm absolutely truthful, I quite like being the best friend, or the supporting role, and actually I ought to gear-change and make myself the leading role.
Finally I'd found this way where I didn't need a record label; I didn't need to wait for some phone call to tell me, 'Go and do it'. It's like, I'm going to get up with a bag of CDs and an amp and my guitar and make it happen for myself. That was such a liberating feeling, and I think it was the start of everything.
My choice of colors does not rest on any scientific theory; it is based on observation, on feeling, on the experience of my sensibility. Inspired by certain pages of Delacroix, an artist like Signac is preoccupied with complementary colors, and the theoretical knowledge of them will lead him to use a certain tone in a certain place. But I simply try to put down colors which render my sensation.
I'm a real believer in dressing tone-on-tone. I'm not saying you need to dress black. Dress just one color so the colors are not breaking your silhouette.
My songwriting process is based on a formula: Color, tone, words. When I hear production, I initially identify the color that resonates with me. From there, I am able to translate the color into tone or emotion, which may depend on a number of things.
Walk out,” he repeated. “We need to talk.” “About how you need to sacrifice me to get a human body?” I asked, my tone light, my insides feeling leaden. “That might be cute if you thought it was true.
I'll just say that I made my own explorations of tone by listening to a tone for a long time until I began to understand what my sensations were, what my mind was doing with tone.
Thomas Gordon, founder of P.E.T. (Parent Effectiveness Training), observed that when children are behaving in a way that interferes with your ability to meet your needs, shouting direct orders to them doesn't work very well. So, he advised sending I messages. That is, a better alternative to, Your room is a disaster area-clean it up this minute, would be something like, I get embarrassed when Mrs. Johnson is visiting and sees your room looking this messy, so I need you to clean it up.
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