A Quote by Alia Bhatt
Our films are changing so people across the world can see them - when 'Highway' premiered at the Berlin Film Festival, a Polish lady said to me, 'It has a strong message for women.' So it's good to know our films are connecting universally.
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The Cannes Film Festival is the biggest, most prestigious film festival in the world. This is where filmmakers are discovered, where futures are made, and the most important films premiered.
We as women have a voice and we are decision makers in what film to see. We always support our boyfriends and husbands by going to see the male dominated films, but we don't compel them to see films with female casts.
Cannes Film Festival prefers political films. We have to target certain festivals based on our films.
I think films are about having a good time, so I don't know that there's a message. The message of a film is always what a critic writes, and the fun of a film or the emotion of a film is what the audience feels.
We have little bits of comedy throughout our films but this is like a full-on comedy. I had great time. It was fun to do a comedy and see a lot of the people I worked with on our previous films and meet some new actors. It was a good experience for me.
I want my films to do the talking. I feel if people have to understand me better, I should do more good films. I just want them to know me through my films.
I enjoy the making of the film and it's something for me to do. If nobody ever comes to my films, if people don't want to give me money to make films, that will stop me. But as long as people come all over the world and I have an audience and I have ideas for films, I will do them for as long as I enjoy the process. And I like the whole process of making a film.
'Thrones' would be the perfect platform to send a progressive message because right now, our politicians aren't telling us any truths. It's hard to find a good, meaningful message, so I think it's up to storytellers, television shows, and films to have an impact on the world conversation. Is that not what film and television is for?
I was the Chair of the WIFF Foundation, which is the philanthropic arm of Women In Film. The foundation runs the several programs including one that provide our film finishing fund. So we help women complete their films with a grant from Netflix. It's great to be associated with award winning films like 'Freeheld' and 'Circumstance'.
Nowadays, a critic has to watch 700, 800 films a year, and I know through experience, being a juror in prestigious film festivals where supposedly the best films are arriving, from twenty films maybe you see two that are good, one that is so-so, and one that is extraordinary. And the other sixteen are terrible.
The Sixth Sense is not a good white film. Insomnia is not a good white film. They're just good films. So why we can't we have good films that happen to have black people, or Asian, or Latino, or any other minority group in them?
The Cannes film festival is about big-budget films but also remarkable films made in different political regimes by film-makers with little resources.
I'm happy that my films were discovered by chance by foreign film festivals. That makes me realise more that there is a world outside Japan too. For me, it's an occasion to meet many people and to experience directly the response of international audiences to my films. But for me as a director, my attitude towards making films hasn't changed with the fame. I feel it's not good to change as a person anyway
Today, they make films where you have to sit for an hour and a half and watch somebody in the process of dying and, for me, that's rather depressing. Films, in the good old days of the golden age of Hollywood, used to want to inspire people and give them uplift. You're paying good money to see a film, and you don't want to leave depressed!
If you get to bring a little movie on the festival circuit, it's a nice experience because you get to see it with an audience. People who go to festivals to watch films are usually a little more eager to enjoy them. It's exciting because it's like you're going to the film's opening night at every festival.
Even today, I'm not sure why I make films or what makes me want films. I think it's other people's films. Whenever I see a really great film, I think, 'I want to make a film like that.' And then I never do.
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