A Quote by Alia Shawkat
After 'Arrested Development,' I didn't know for sure if I wanted to be an actor. I was hitting this wall, where I was the 'ethnic best friend' or the 'sassy teenager.' It felt like the same note, and I didn't feel like I was growing.
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I felt when I was hitting guys or going for a takedown at 185, sometimes it was like hitting a wall.
It's nice to see a story that centers around other couples, instead of having, you know, the sassy gay friend or the funny best friend or the assistant, which is just like these stereotypical roles that tend to be put in movies.
At least I thought it was a wall. It sure felt like one. It was hard. It was flat. It stretched out on either side of me. You know... wall.
I don't know how a hero feels, honestly. I feel like an actor; I wanted to be an actor. I always want to feel just like an actor. I don't know this 'hero' term.
So when my critics say that Sassy is only for alienated teenagers, I feel like responding, 'Well, isn't an unalienated teenager the biggest oxymoron?'
Sizing was also important to me; I wanted to make sure that nobody felt alienated or felt like they weren't thought about in the process of this brand. I wanted to make sure that everyone felt included, which brings us to the gender neutral pieces - the idea of wearing what you want and whatever makes you feel comfortable and confident. I think that's the overall feeling of the Daya collection.
When I started, it was all meter maids or the sassy nurse, or the sassy receptionist in the hospital. And I felt like: Are those the only jobs that large, black women have?
I've been in, like, kids' clubs... I've been in the Boom Boom Room in New York, and the kids are going, 'Oh my God, you produced 'Arrested Development?'' They aren't talking about 'A Beautiful Mind' or '24.' It's like the only thing in my whole career was 'Arrested Development,' literally.
I feel, as an adult, I'm very similar to how I was as a pre-teen. Maybe it's a case of arrested development, but I feel like it's easy to slip back into those shoes, and I feel like if we were all magically transported back to our middle school years, we'd all act like we did in middle school.
I think we're all actors. There's this friend of mine who's a great drummer, and he said, "I never thought I'd be a drummer, but I got really good at it. I always feel like I'm an actor playing the drums." His real calling was that he was going to be a magician. That's what he felt like he wanted to do. If you decide to act like a journalist, you'll probably be a better journalist than just being a journalist. What you're doing is, you're taking the executive role and stepping outside yourself so that you're able to make more objective decisions.
Everyone, when you're a teenager and you're growing up, you do feel like your life is dramatic enough to be on a TV screen, but we know that it's not.
When you're playing someone who drinks a lot, it's not that interesting to play that condition because as soon as you know that, you got all the information you're going to get from it. It's like hitting the same note on the piano over and over again.
I'm, like, the biggest fan ever of 'Arrested Development.' To be a part of it is incredible. Same goes for 'Parenthood.'
It sounds so negative of me to say, but I don't feel like there were many coming-of-age films when I was growing up. I think that when I was a teenager, I felt really misrepresented in the teenage roles that I was watching onscreen. Especially in women.
If you don't connect yourself to your family and to the world in some fashion, through your job or whatever it is you do, you feel like you're disappearing, you feel like you're fading away, you know? I felt like that for a very very long time. Growing up, I felt like that a lot. I was just invisible; an invisible person. I think that feeling, wherever it appears, and I grew up around people who felt that way, it's an enormous source of pain; the struggle to make yourself felt and visible. To have some impact, and to create meaning for yourself, and for the people you come in touch with.
I think 'Interscope' always puts the artist first, and they're focusing on these artists' development. I felt like that was a part of my career that I kind of needed to focus on after having come from the radio and getting exposure that way. I wanted to grow my brand and grow my fanbase, and they have proven to be the best fit for that.
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