A Quote by Alia Shawkat

You get a kind of familiarity on a set when you're on a TV show. — © Alia Shawkat
You get a kind of familiarity on a set when you're on a TV show.
Obviously Mad TV, SNL are one kind of show, whereas The State belongs to the kind of show that is entirely conceived written and performed by a set group that existed before the TV show.
We set ourselves up for it with the reality show. You've seen me and Nick go at each other's throats on TV. They've got all these people giving their opinions on our marriage and how we handle it when they are watching an edited TV show.
My wife is like, You finally get your own TV show, you can have any kind of car you want and you get a darned truck. But my brother and I have the same kind of truck now.
We're creating a TV show of Scrooge, starring Jamie Farr, with Buddy Hackett as Scrooge. We're shooting in this Victorian set for weeks, and Hackett is pissed all the time, angry that he's not the center of attention, and finally we get to the scene where we've gotta shoot him at the window, saying, "Go get my boots," or whatever. The set is stocked with Victorian extras and little children in Oliver kind of outfits, and the director says, "All right, Bud - just give it whatever you want." And Hackett goes off on a rant. Unbelievably obscene.
The way that TV is set up is very helpful for when a show comes to an end because as an actor, you've got acting, but as a showrunner you still get to edit for three months and after that ends you get to do a sound mix. So, as a writer-performer in television, it's a very nurturing, gradual environment to say goodbye to a show.
My whole initial goal was to be a comedian, so it's not like I chose to do a TV show out of nowhere. It's kind of always been goal to do a TV show.
I kind of got into TV when I went to visit a show my brother was working on. Soon I got the second lead in a TV show.
As an actor, you can show up on a set and be on a TV show for three or four years, or whatever it is and, by the end of it, you just want to do something else.
The main dream is to get 'Mandem On The Wall' its own TV show. That's the kind of platform that we're trying to reach.
I always just try to remind myself, like, at the end of the day, no matter how much pressure it is to be a TV show host, you still get to be a TV show host.
Oh, we've had our share of hotels bein' smashed and all, but that was a long time ago. You get lousy room service... I mean, there's no use throwin' a TV set out the window for the sake of throwin' a TV set out the window. But if you get a lousy picture then you have an excuse
If I had a million dollars, I just wouldn't just completely set back. I'd have to get out there and show my face to all these good people who like me, I have to get out there and show my face. The only thing that would set me back if I get sick or something or pass away, that's all you can do about that you know. But as long as I got my health goin' pretty good, I'll show up around here.
'The Comeback' is my favorite TV show of all-time because it's just brill. It's Lisa Kudrow's show about what it's like to be an actor on a TV show. She's so amazing on it.
So, the role of a producer is to kind of look at the show, kind of give our takes on what we see, and that'll be prior to the production meeting. Then, we kind of get assigned our matches and our segments, and then we - I like to go and collaborate with talent, and we put together what we see on TV every Monday and Friday.
To a certain degree, with a TV show, people are looking for a certain amount of familiarity. You don't want to pull the rug out, but you also want to keep things fresh and keep changing it up.
I had a job on a Spike TV show called 'Fresh Baked Video Games.' I was the animation producer/kind of a writer, but I couldn't get anything through.
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