When I moved to L. A. with this little wimpy garage band, the first people we met were the Doors. Then we met Jimi Hendrix, Janis Joplin. All of the people who died of excess were our big brothers and sisters. So I said to myself: How do you become a legend and enjoy it? The answer is to create a character as legendary as those guys and leave that character on the stage.
I met Jimi Hendrix and Janis Joplin when I hung out with Michael Lang just before the Woodstock Festival. They were as charismatic in person as they were on stage.
I say I'm Jimi Hendrix, Jim Morrison, Janis Joplin all wrapped up into one. If I die early ... I'll be just like those guys.
You're never going to see the fat Elvis in me. People I admired like Janis Joplin, Jimi Hendrix and John Belushi all died at 27. I've got jeans older than that.
In 1974, when I started working with the material that became 'Horses,' a lot of our great voices had died. We'd lost Jimi Hendrix and Jim Morrison and Janis Joplin, and people like Robert Kennedy, Martin Luther King and Malcolm X.
In 1974, when I started working with the material that became Horses, a lot of our great voices had died. We'd lost Jimi Hendrix and Jim Morrison and Janis Joplin, and people like Robert Kennedy, Martin Luther King and Malcolm X.
I love the Beatles, and when I was very young, I had young parents, so Led Zeppelin and Janis Joplin and Jimi Hendrix and the Beatles constantly were big influences on my life.
Two of the guys that were honorary Vampires - Jim Morrison and Jimi Hendrix - had already died at 27. And they were certainly archangels in our group.
She’s the kind of person who either dies tragically at twenty-seven, like Jimi Hendrix and Janis Joplin, or else grows up to win, like, the first-ever Nobel Prize for Awesome.
All through the nineties I met people. Crowds of people. Met and met and met, until it seemed that people were born and hastily grew up, just to be met.
At first, I didn't think playing guitar was the right thing for me to do. But after seeing Jimi Hendrix on television the day he died, I realized it was a really cool instrument to play and not wimpy at all, which was how I originally perceived it.
I've had lots of discussions with my Muslim brothers and sisters who have said to me, "Christianity is a white man's religion" But I'm like, "how is that possible when Christianity went into Africa before it ever went into central Europe?" Even the first people to become a Christian nation were not Romans, they weren't the Byzantines either, they weren't the Greeks... the first people to claim a Christian empire were the Armenians.
The quality of our lives is diminished every time we lose a great artist. It's a different world without Sam Cooke, Otis Redding, Jimi Hendrix, Janis Joplin, Jim Morrison, Curtis Mayfield, Brian Jones and the rest.
I know about Woodstock probably as much as your average person who is over 30, where I'd know Jimi Hendrix, Janis Joplin, Grateful Dead.
Sometimes artists die young, and we don't know exactly why. I think that, in life, you have these special individuals, whether it's Jimi Hendrix or Janis Joplin or Kurt Cobain. They're on this journey - they're on this earth to change things, to make things incredible - and then they're not with us anymore.
I was hesitant to do 'Mulan II.' For me, I felt like the story that needed to be told, this legendary character of Mulan, was already encompassed in the first movie, and I was worried they would try to create this crazy cartoon character out of this legendary character of China.
I remember the first time somebody played me Janis Joplin. My friend Donna put on Janis Joplin, and she said, 'You're like her.' At the time, I wasn't even a singer; I was a drummer. I just wanted to play the drums.