A Quote by Alice Englert
I'm a big fan of being able to hold those long shots and use space. I don't know, I think everything's so quick cut these days, as if films are too afraid that the audience is going to get bored instead of relaxing and trusting their work.
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I like to write. Sometimes I'm afraid that I like it too much because when I get into work I don't want to leave it. As a result I'll go for days and days without leaving the house or wherever I happen to be. I'll go out long enough to get papers and pick up some food and that's it. It's strange, but instead of hating writing I love it too much.
I think I'm too indoctrinated. I'm going to use everything I can, and I think if I used an advertisement in that one, it would be yet another way to connect the current day with Wharton. Wharton has been perceived sometimes as being too upper class; Wharton was an extraordinary social thinker. As relevant today as anyone, so she uses some language that isn't current, but to me, I'm so happy about that because I get so bored with the 100 words that people mostly use.
Playing big films on festivals is SO misguided. And I know where it comes from: it comes from the head of the festival thinking that he'll play with the big guys, like that's the way to do it and it's SO not the way to do it. It's where Cannes went wrong, it's where Toronto is going wrong. I mean, I got off the plane in Cannes this year and the streets were paved with posters from studio movies. Who cares about that? Why come to Cannes for that? You're going to be able to see all those films anyway - you're not going to be able to avoid them, so I don't get it. Obviously.
I was a wrestling fan long enough, and once in a while, I would get bored. I'd be on board with a superstar and love what he'd do. Then eventually, I would get bored with him. I don't want people to think that way of me, so I'm doing everything I can to make sure it doesn't happen.
Work is fun to me. All those years of being an actor and a director and not being able to get a job - two weeks is too long to not know what my next job will be.
I get bored with unintelligent scripts. When I read the first page and I can tell what is going to happen, I know I don't want to make the film. It's two months work and I would get deeply bored. I would even prefer to do something that didn't work at the box-office, so long as it kept my interest alive.
I think we are afraid to take up space. We are afraid to be amazing. As soon as that fear leaves us and we start building that confidence of being unapologetic about being great, then i think we can get into that space of having a lot of women leaders who are just fearless.
We now think of internal representation as great big vectors, and we do not think of logic as the paradigm for how to get things to work. We just think you can have these great big neural nets that learn, and so, instead of programming, you are just going to get them to learn everything.
I'm a big Justin Bieber fan. I've been a Justin Bieber fan. I've been listening to his music. OG, you know. That's also my friend, too, so, you know. It's just one of those things. We've been supporting each other's music for a long, long, long time.
I have to use all these programs that cut off the internet, force me to be bored, because being bored is an essential part of writing, and the internet has made it very hard to be bored.
If I don't try and bring variety in my appearances, I will get bored with films, so I can well imagine how bored the audience would get watching me.
Where I think that 3D will fall apart is going to be as audiences now get treated to incredibly artistic utilizations of space. I think the films that are just sort of done as 3D transfer type films, the audience will perceive the difference in that.
When I first started working on movies as a production assistant, we were shooting 65, 75, 85 days. I mean, granted some of those things were "Godzilla," "Deep Impact," and those kinds of things, but these days it's like 30-35 days or 40-45 days and you just feel like you're humping trying to get everything done. It's like "Move on, move on, move on!" That's not the way to get the best performances or the most interesting shots. You have to constantly balance schedule and quality of work. For me, that's the biggest thing.
I think they shouldn't allow cut blocks, because our knees are important to us, too. I know concussions are a big deal, too, but I think knee, cut blocks are a big deal, but that seems to be OK with the NFL. So they're not too concerned about safety, obviously.
To be a champion, I think you have to see the big picture. It's not about winning and losing; it's about every day hard work and about thriving on a challenge. It's about embracing the pain that you'll experience at the end of a race and not being afraid. I think people think too hard and get afraid of a certain challenge.
I used to get my best ideas from being bored, and now, if I even think I'm being faintly bored, I have two million Twitter followers I can engage with. It's great, but I also think it's important to be able to let your thoughts flow and percolate.
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