A Quote by Alice Englert

It's not what you see on-screen that makes a performance. It's the things you should never know about - it's the secrets. — © Alice Englert
It's not what you see on-screen that makes a performance. It's the things you should never know about - it's the secrets.
All families have their secrets, most people would never know them, but they know there are spaces, gaps where the answers should be, where someone should have sat, where someone used to be. A name that is never uttered, or uttered just once and never again. We all have our secrets.
Success is more about doing the things you know you should do than discovering the secrets you don't yet know.
One of the greatest things about the book is that everything we know about 'It,' it's pretty speculative. We see it from the point of view of Loser's and that's what makes it so scary. We never get to know exactly what it is.
You can be moved by a performance on set, but when you see it on screen, it does nothing. Yet there will be someone you simply didn't notice on set that on screen: bam!
I believe that there is a certain amount of mysticism that all women should have, that you should never tell all your secrets, that you should never tell everybody all about you.
I've always thought if you watch the performance and you don't know about the person, then you only see the performance.
I don't sleep. All night long I'm wide awake, thinking, Secrets, secrets, secrets. There are secrets in my past no one needs to know. Secrets in my present that might kill Kim and Chip. I don't want to take my secrets with me when I go. When I pass through the light, i want to be free of everything and everyone.
I’m a black woman who is from Central Falls, Rhode Island. I’m dark skinned. I’m quirky. I’m shy. I’m strong. I’m guarded. I’m weak at times. I’m sensual. I’m not overtly sexual. I am so many things in so many ways and I will never see myself on screen. And the reason I will never see myself up on screen is because that does not translate with being black.
One of the great things about the Fifties is there are so many secrets - people who've come back from the war and done these terrible things that they don't want to think about, or can't say what they did because they signed the Official Secrets Act.
I always direct next to the camera and watch my actors, and so you can see the small things that you can't see on the small screen but you can definitely see on the big screen.
An actor's off-screen persona should never overshadow his on-screen characters.
Some secrets should never turn into confessions. I know that better than anyone.
I feel, it is essential to see oneself on-screen so as to be a better judge of one's performance.
Photography is all about secrets... The secrets we all have and will never tell.
I never believe much in happiness. I never believe in misery either. Those are things you see on the stage or the screen or the printed page, they never really happen to you in life.
Once you recognize that all documentaries are performance, it's not a matter of 'if' they should be performance. They are performance, and they are performance precisely where people are playing themselves.
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