A Quote by Alice Evans

I went brunette for a film called Fascination and I loved it. — © Alice Evans
I went brunette for a film called Fascination and I loved it.
This is part of the fundamental character of Buddhism that I find problematic - that it is not interested in anything. Hence the 'Fascination' in the title of the essay, the fascination of art and creativity, stands in opposition to what is called 'Liberation'.
My first wife was a brunette, and Barbi Benton, my major romantic relationship of the early 1970s, was a brunette. But since the end of my marriage, all of my girlfriends have been blonds.
Between the ages of 18 and 20, I made three hour-long films. One was a superhero film called 'Carbolic Soap.' One was a cop film called 'Dead Right.' And the other was called 'A Fistful Of Fingers.'
When I started working in film, I loved photography, I loved the image, I loved telling the story within a frame, but as I started playing around with film and video, it was like, 'Oh my god.' You just have so much more to play with.
I made 'Siam Sunset.' In Australia, it was pretty much universally hated, but I did notice that almost any American who saw it loved that film, so in 2001 I made a film in America called 'Swimfan,' and they released like a big studio movie, and it made money.
I loved being in the film called 'Carnal Knowledge' - the one with Jack Nicholson, which was very dark but a really brilliant movie. I loved being in 'The Ritz.' 'The Ritz' I think is just hilarious. I just saw it again recently and by God, it's still funny!
The thing that's between us is fascination, and the fascination resides in our being alike. Whether you're a man or a woman, the fascination resides in finding out that we're alike.
I think my mom is the inspiration of me wanting to do film and TV and be an actor because she loved film so much. She loved, like, horror films and action films, so growing up, she loved watching all the Charles Bronson films and all the westerns.
I hooked up with director Jacques Audiard for this film called 'Rust & Bone' with Marion Cotillard. I loved that experience so much I'm truly sad that it's over!
One time, many, many years ago, I had the opportunity to dye my hair brunette for a film. And the day I walked out of the hotel where I had it done, I walked out onto the street and realized people looked me in the eye and greeted me good morning. I'd never had that experience before! And I began to notice that a brunette is treated as an affable human being. Later, when I dyed my hair for Lois Riley blonde, and then Alice Ward blonde, people come right up to you, they touch you on the arm, they ask you how you're doing. Men and women both! Blondes have more fun.
Hey, sexy. Why haven’t you called?” The cooing sound came from behind me, and I glanced back over my shoulder to see a familiar-looking brunette. “Because I’m the asshole who never calls,” I replied with a wink.
If you are going to call a film a 'black film' then you have to make a film that represents everyone that's black, which is almost impossible. That is why white films are not called white films, they are just called 'films.'
I loved Belle in 'Beauty and the Beast.' I just wanted to be her. I'm a brunette, so I think I kind of cling to all those princesses that have brown hair. I just wanted to be them.
I loved him [Ke Huy Quan as Short-Round in Indiana Jones and the Temple of Doom] - everyone loved him when I saw the film. Now I'm a grown-up and I watch it I'm not so sure - he's so loud. He yells for the entire film.
I don't know that I have a fascination with witches per se - well, maybe I just have a fascination with everything that's weird.
I find a fascination, like the fascination for the moth of a star, in those who hold aloof and disdain me.
This site uses cookies to ensure you get the best experience. More info...
Got it!