A Quote by Alice Eve
I think I'm probably quite geeky in a lot of ways. I'm pretty into books, kind of obsessive about that.
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I love a lot of things, and I'm pretty much obsessive about most things I do, whether it be gardening, or architecture, or music. I'd be an obsessive hairdresser.
I was kind of a nerdy, geeky type. And I loved math. People teased me about it. I felt pretty much like an outcast.
I think in some ways people kind of hate it, but most models recognize that it's a pretty easy job to make a lot of money at in a relatively short time, and you get to travel the world and meet a lot of interesting people. There are extreme highs and extreme lows. I think if it were as clear-cut as "models hate it," then they wouldn't do it. I really enjoyed a lot of the actual aspects of it, but not enough to make it my primary job. It can be quite empty, which is why I pursued other things.
I think it's very pretty. Can it be pretty if no one thinks it's pretty? I think it's pretty. If you're the only one? That's pretty pretty. And what about the boys? Don't you want them to think you're pretty? I wouldn't want a boy to think I was pretty unless he was the kind of boy who thought I was pretty.
I think if somebody is so set in their ways about what they feel about something - and you get this a lot in academia, of course, and also different sorts of journalism too - you're going to sweep under the carpet the facts that don't suit your thesis. And I think that happens quite a lot in the courtroom, for instance.
I mean, in many ways, you know, I felt very connected to Ian (Dury) on, on a lot of levels. I mean, politically, & sort of, socially, our, kind of, social backgrounds are quite similar in many ways, as well as our kind of artistic endeavors. So there were many, many things that sort of chimed in for me, and kind of made me feel very instinctive about playing him, and, and although, there was sort of a certain amount of impression involved, actually, there's a lot of myself in the role.
The people who review my books, generally, are kind of youngish culture writers who aspire to write books, or write opinion pieces about what they think of Neil Young, or why they quit watching ER or whatever. And because of that, I think there's a lot of people who write about my books with the premise of, "Why this guy? Why not me?"
My mum was critical in getting me to recognise very early on that although what I was doing was pretty serious, quite selfish, and probably to most people pretty obsessive, there actually was more to life than running quickly twice round a track.
I used to think she was quite intelligent , in my stupidity. The reason I did was because she knew quite a lot about the theater and plays and literature and all that stuff. If somebody knows quite a lot about all those things, it takes you quite a while to find out whether they're really stupid or not.
I think in a lot of ways, 'The Shining' is about alcoholism and 'Doctor Sleep' is actually about recovery. They go together pretty well that way.
In a weird way, it’s kind of a relief to think, ‘Oh, I know I’m not that young sort of pretty thing anymore.’ It’s quite nice talking about what it was like to be the young pretty thing, rather than being it.
I think a lot of people, when the word leadership is used, they think of it as quite forceful and quite a rigid thing. I think people think I am like that. But people can lead in different ways.
At home, my parents were quite old, so the surrounding was of elder people. There was no noise. Reading books was encouraged; TV was not encouraged, so I was the geeky, studious type of girl.
The ways in which acquired savants show up are usually the same ways that congenital, or non-acquired, savant syndrome shows up. They tend to show up in the same areas: music, art, math, visual, spatial skills, and calendar calculating, although calendar calculating probably isn't quite as prominent in that group. They tend to show up quite quickly, or sort of explode on the scene and they then tend to have an obsessive sort of forceful quality about them in the same way as savant skills. So they tend to show up in the same ways.
A lot of times when I ask people what their apocalyptic fantasy life is like, they'll immediately say something like, "Oh, what I think is going to kill us is climate change or World War IV," and that's not what I'm interested in at all. The point is not about winning a bet about what's going to happen. The point is about the human action of examining the possibility, the kind of obsessive imagining about it.
Never worry about being obsessive. I like obsessive people. Obsessive people make great art
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