A Quote by Alice Hegan Rice

we sometimes forget the influence of action upon thought. ... Smile, whistle, sing, play the part you want to be until you become the part you play. — © Alice Hegan Rice
we sometimes forget the influence of action upon thought. ... Smile, whistle, sing, play the part you want to be until you become the part you play.
I told Simon, 'I don't want to play Oscar. I want to play Felix because Oscar is too easy. He gets all the laughs. Felix is a hard part; that's the part I want to play.'
I badly wanted to play Dr. Aziz but I knew I wasn't going to get it. I didn't go to be interviewed until I finally was forced to by the director I was working with in Calcutta. I thought, they aren't going to give me that part. I didn't want to go there and be told I wasn't good enough, or that I didn't suit the part.
We all just want to see action, we all just want to see change and we all understand that we can play a part in that by being part of the solution in our local communities.
So, it's always different. Some stuff, you want to do because it's a part that you've never played. It's always for story. Sometimes there's a story that you really dig, but there's no part that you're interested in. Sometimes you read a story and you say, "I could do that. I've never done that before. I could do play that part.
I went to Hollywood to test for Martha Ivers and I thought I was going to play the part that Van Heflin played.But they wanted me to play the part of Barbara Stanwyck's husband, so I played that. Then when I finished the movie, I went back to Broadway and did another flop.
You know when you've found a part that you want to play. You know it because the part takes you over. It sits in the script waiting for you to play him.
We sit here, very different each from the other, until the passion arrives to give us our equality, to make us part of the play, to make the play part of us.
It's not just for its influence on us, but to know that we can play a part in it, to understand the influence that we have outside our own existence.
It's not just for its influence on us, but to knowknow that we can play a part in it, to understand the influence that we have outside our own existence.
I'm up for doing a part if I thought the part was right and the people want to consider me for a part. If I thought the part was absolutely exciting... I would go for it.
The part of Mike Wallace drew me to the movie because I thought, what an outrageous part to play.
With Pearl Jam, everybody is so good at what they do, it's hard to get up the courage to say, 'Can I sing this part,' or, 'I want to play guitar.'
Part of the reason why so many actors lose the plot when they go over to America is that they become part of an industry, so that's why they don't want to play weak, bad or vulnerable guys - because that's not sellable; that diminishes their profit margin.
I kinda taught myself how to play guitar, and I still play to this day. It's become a pretty big part of my life.
It's like creating an artificial loop saying, 'You didn't play the game the way I wanted you to play, so now you're punished and you're going to come back and play it again until you do what I want you to do.' In an action game, I can get that – why not? It's all about skills. But in a story-driven experience it doesn't make any sense.
I think if you do something effectively whether you're the lover or the comic or the action guy or the villain like I play; movies are very expensive to make. Chances are you'll get asked to play that part again.
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