A Quote by Alice Hoffman

Some things, when they change, never do return to the way they once were. Butterflies for instance, and women who've been in love with the wrong man too often. — © Alice Hoffman
Some things, when they change, never do return to the way they once were. Butterflies for instance, and women who've been in love with the wrong man too often.
Maybe it's naïve, but I would love to believe that once you grow to love some aspect of a culture-its music, for instance -you can never again think of the people of that culture as less than yourself. I would like to believe that if I am deeply moved by a song originating from some place other than my own homeland, then I have in some way shared an experience with the people of that culture. I have been pleasantly contaminated. I can identify in some small way with it and its people.
I'm through accepting limits ''cause someone says they're so Some things I cannot change But till I try, I'll never know! Too long I've been afraid of Losing love I guess I've lost Well, if that's love It comes at much too high a cost!
A change initiative can fail for multiple reasons - in fact, there are just too many things that can go wrong. The focus of the initiative might be wrong - too narrow or too broad. The initiative might be poorly executed or under-resourced. But most often, a change initiative fails because it hits a behavioral impasse. Something in the culture of the company is in conflict with the objective or execution of the initiative.
I had often heard Mentor say, that the voluptuous were never brave, and I now found by experience that it was true; for the Cyprians whose jollity had been so extravagant and tumultuous, now sunk under a sense of their danger and wept like women. I heard nothing but the screams of terror and the wailings of hopeless distress. Some lamented the loss of pleasures that were never to return; but none had presence of mind either to undertake or direct the navigation of the menaced vessel.
I'd never seen Marcello [Mastroianni] truly in love with a woman. I called him "the man who couldn't love." He was capable of enormous amounts of affection. He respected the women who were close to him, but never once fell in love.
I never liked that ending either. More love streaming out the wrong way, and I don't want to be the kind that says the wrong way. But it doesn't work, these erasures, this constant refolding of the pleats. There were some nice parts, sure, all lemondrop and mellonball, laughing in silk pajamas and the grain of sugar on the toast, love love or whatever, take a number. I'm sorry it's such a lousy story.
Families have always been in flux and often in crisis; they have never lived up to nostalgic notions about "the way things used tobe." But that doesn't mean the malaise and anxiety people feel about modern families are delusions, that everything would be fine if we would only realize that the past was not all it's cracked up to be. . . . Even if things were not always right in families of the past, it seems clear that some things have newly gone wrong.
I was pretending, the way I often did, pretending to have a personality. I can't help it, it's what I've always done: The way some women change fashion regularly, I change personalities. What persona feels good, what's coveted, what's au courant? I think most people do this, they just don't admit it, or else they settle on one persona because they are too lazy or stupid to pull a switch.
Only the basic situations in life occur only once, never to return. For a man to be a man, he must be fully aware of this never-to-return. (p.148)
I've been fighting for nine years and in the beginning there was a lot of backlash and non-supporters of women fighters. We could never find many women fighters and when we did sometimes we were put on the card for the wrong reasons. It was frustrating. When I'd go train in gyms, it seemed like the guys at the gym were skeptical and didn't think I was as serious as they were because I was a woman, but today things are different.
The thing is, some girls think they can actually change guys. And what’s funny is that if they actually did change them, they’d get bored. They’d have no challenge left. You just have to give girls some time to think of a new way of doing things, that’s all. Some of them will figure it out here. Some later. Some never. I wouldn’t worry about it too much.
Change is never fast enough to satisfy us. I still hear too many stories of women who go back to work too soon, but I do believe that we have been able to change the paradigm in attitudes towards family leave in that it's no longer a nice thing to do for women, it's a must do for competitiveness, and that's a big change over the last seven years. Changing it into an economic issue is a big sea change in the last seven years.
I know that there will be other women, but they couldn't compare. Maybe I'll change, maybe love will change, but I think we were a once-in-a-lifetime. You could never leave me; that's why I am not more upset. You can't possibly break these feelings. They stretch, and they last.
There's a lot of women out there, some of whom are my age who've never been married and some who have been married and would like to be married again but think their ship has sailed, and I'm like, 'Oh no, honey, let Miss Niecy show you it is never too late for love!'
I wonder where you got that idea from? I mean, the idea that it's feeble to change your mind once it's made up. That's a wrong idea, you know. Make up your mind about things, by all means - but if something happens to show that you are wrong, then it is feeble not to change your mind, Elizabeth. Only the strongest people have the pluck to change their minds, and say so, if they see they have been wrong in their ideas.
It's significant that four out of the five nominated comedies were run by women. That's not by accident. Women are storytellers, too. What's particularly exciting is that when it started to change, it changed very quickly, which I think indicates that women have been waiting in the wings for a long time and were ready to take storyteller center stage.
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