A Quote by Alice Hoffman

Jill told me that when you're really in love, you know right away. I'm not exactly sure how this happens. Is it like a flash of lightning? Like an angel tapping you on the shoulder? Or is it similar to choosing a puppy? You think you're picking the cutest one, but really you wind up going home with the one who keeps insisting on climbing into your lap.
Night terrors are in deep sleep, and they're more common in kids, as are nightmares, but what happens in a night terror is like a flash - we think a flash of some image or something happens in the brain. We don't really quite know what. And it usually ends up with the child screaming almost like screaming bloody murder. It's very scary for the parents or whoever else is around.
The point is that petty, frustrating crap like this is exactly where the work of choosing comes in. Because the traffic jams and crowded aisles and long checkout lines give me time to think, and if I don't make a conscious decision about how to think and what to pay attention to, I'm going to be pissed and miserable every time I have to food-shop, because my natural default-setting is the certainty that situations like this are really all about me, about my hungriness and my fatigue and my desire to just get home.
Laughing and crying are really similar - what happens to your body. It's a very similar process in your diaphragm. Like a musician, you have to do your scales once in a while and warm up your voice.
Your love keeps me afloat but will remain the anchor in my soul... I don't really have words to describe how romantic I find that. Your love is what keeps me going, but it's also the anchor that keeps me close to you. I love it!
The writing is really hard. You're alone. It really pulls it out of you. You pull it out of your head. But when you're a director, you're shopping - you're picking this actor, you're picking this scene. It's like the most intense kinetic high-speed shopping of all time. You sit in a chair and it will all come rushing at you like a wind tunnel.
I think that's a really important role that people sometimes forget about, especially with all these newspaper shutting down and having trouble, where are all these stories going to go? I think you have something really great with all those stories waiting to be told, but I just don't know how it shapes up exactly. I don't think there are going to be a lot of newspaper reporters sitting around not writing.
What held people together was the belief that you're really going to change the world. I think that's the nature of many startups. You believe that what you are doing is going to have a dramatic impact. You might not exactly know how, but you really have a belief. That keeps you going and going through many changes and a lot of uncertainty.
Picking one of your favorite creation or character is like picking the best one of your children! I'm not sure it really works. My very favorite characters tend to be ones I can go back to and look at, and have no idea how they popped out of my head.
I constantly have a devil on my shoulder telling me that what I'm doing is really horrible, and then somehow the lightning strike happens and everything comes together. I've just realized I have to live with that devil on my shoulder a little bit more.
When I did Mira Nair's film on AIDS, people told me to stay away from it and even asked me reasons why I chose to do a film on the stigma. My reason for choosing the movie is similar. It is a social reality and there is no harm being a part of a movie like this as it really dissects the reality of the crisis.
Everybody is great and the chemistry is different with everyone. That is the joy of acting - you really don't know how it is going to go until you turn up. It's like playing tennis, you can't plan for the match you are going to play until you are actually up against your opponent and what happens, happens. That is the joy of being on set.
I really like the director [for Weeds]. I don't know if you've spoken to him yet but he's really, really intelligent. He was just really kind when I met him and nice and really told me why I should play the part...and kind of really didn't argue with him. He's just really, really smart and assembled these really great people. I felt like he really knows how to enlist his intelligence to get you - I don't know - he's really hard to argue with I find.
In my experience poetry speaks to you either at first sight or not at all. A flash of revelation and a flash of response. Like lightning. Like falling in love.
On one level, we're on Matador, but our amps still might explode on stage, or they'll be an echo in the mic. It's like climbing a ladder. I like to climb it really slowly. I could probably get really professional right away, but I like to take baby steps and find my own way.
Your days pass like rainbows, like a flash of lightning, like a star at dawn. Your life is short. How can you quarrel?
When I think about my own relationships to the women that I really loved, it feels like that love, even after we've broken up and we're no longer speaking, that love never goes away. No one told me that.
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