A Quote by Alice Hoffman

Sometimes they would sit in the parlor together, both reading – in entirely separate worlds, to be sure, but joined somehow. When this happened, other people in the family couldn't bring themselves to disturb them. All that could be heard in the parlor was the sound of pages, turning.
I don't go and sit in parlor for two to three hours - that's not my cup of tea, but I make sure I am nice and well dressed.
There are quite a number of people in the reading-room; but one is not aware of them. They are inside the books. They move, sometimes, within the pages like sleepers turning over between two dreams. Ah, how good it is to be among people who are reading.
I don't know if it's changing already with 'Joanne,' but my intention is to bring people together that don't know each other and that would maybe feel awkward, but somehow be brought together by the music. That's what I wanted to do. Because that is pure and authentic to my family history and what I stand for.
Science works its miracles by turning its enterprise into a kind of parlor game confined to the category matter and energy.
In real life people fart, in the movies, people don't. Why not? Farts are a repressed minority. The mouth gets to say all kinds of things, but the other place is supposed to keep quiet. But maybe our lower colons have something interesting to say. Maybe we should listen to them. Farts are human, more human than a lot of people I know. I think we should bring them out of the water closet and into the parlor.
So imagine a fire going -- wood snapping the way it does when it’s a little green — the wind rattling the windows behind the curtains -- and one of those Chopin melodies that feel like sorrow and ecstasy all mixed together pouring from the keys -- and you have my idea of happiness. Or just reading, reading and lamplight, the sound of pages turning. And so you dare to be happy. You do that thing. You dare.
I wrote for free for, like, fifteen years; I could redo my parlor in rejection slips. It would be surprisingly tasteful - they use nice paper.
When you can dump a load of bricks on a corner lot, and let me watch them arrange themselves into a house - when you can empty a handful of springs and wheels and screws on my desk, and let me see them gather themselves together into a watch - it will be easier for me to believe that all these thousands of worlds could have been created, balanced, and set to moving in their separate orbits, all without any directing intelligence at all.
Yes, I heard my people singing!-in the glow of parlor coal-stove and on summer porches sweet with lilac air, from choir loft and Sunday morning pews-and my soul was filled with their harmonies.
Two things happened. The creative side of my career was harmed. When I'd sit down and write under the influence of coke, the ratio of pages kept to pages thrown out declined drastically. But onstage, when rapping about a feeling I already owned, I would sometimes get a burst of eloquence.
If you live in a place that you perceive to be a crowded place, you appreciate government; you see it as this thing that protects you against crime, that keeps order, that makes sure that nobody puts a massage parlor next to your house, that keeps other people's dogs from pooping on the sidewalk.
About the presence of death and dying I don't remember the society in the 1950s being so skittish as it has since become. People still died at home, among relatives and friends, often in the care of a family physician. Death was still to be seen sitting in the parlor, hanging in a butcher shop, sometimes lying in the street.
Sometimes it made him [Degas] furious that he could not find a chink in my armor, and there would be months when we just could not see each other, and then something I painted would bring us together again.
I am a U.S. senator from North Carolina. I'm worried about doing the business on the Capitol Hill. I'm not going to get into the parlor games and the political discussions about a separate and co-equal branch.
Each painting seems to have a very specific size it wants to be. I have even started a painting or two over just because I didn't like the feeling of the particular image at a particular size. The Parlor needed to be large because I wanted it to feel like a full-size room you could step into. Unfortunately for me, I paint the same way on an eight-foot canvas as I do on a five-inch miniature. I still use very tiny brushes and noodle every square inch. It took me nearly a year to paint The Parlor.
And tell him to paint me a sign, with-no suicides permitted here, and no smloing in the parlor; might as well kill both birds at once.
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