A Quote by Alice McDermott

I've got to hear the rhythm of the sentences; I want the music of the prose. I want to see ordinary things transformed not by the circumstances in which I see them but by the language with which they're described. That's what I love when I read.
Draw the art you want to see, start the business you want to run, play the music you want to hear, write the books you want to read, build the products you want to use – do the work you want to see done.
Sure, kids want to read whatever is the hot book, and of course they want to read fantasy and any kind of speculative fiction, but they also like to read stories with kids that look just like them, that have the same problems as them. And I've noticed that what they particularly want to see is to see those characters prevail. So they don't want sanitized situations. They want stories to be raw, they want them to be gritty, but they also do want to see the hope at the end of the story.
Making fiction for children, making books for children, isn't something you do for money. It's something you do because what children read and learn and see and take in changes them and forms them, and they make the future. They make the world we're going to wind up in, the world that will be here when we're gone. Which sounds preachy (and is more than you need for a quotebyte) but it's true. I want to tell kids important things, and I want them to love stories and love reading and love finding things out. I want them to be brave and wise. So I write for them.
If you want to tell the untold stories, if you want to give voice to the voiceless, you've got to find a language. Which goes for film as well as prose, for documentary as well as autobiography. Use the wrong language, and you're dumb and blind.
When I'm recording my album, I want to be acting, or when I'm on set, I want to be making music. I guess we'll see how it turns out and which one overpowers the other... but I couldn't really see my life without them, both of them.
Just look at what is right in front of you. People don't do that. They see what they expect to see, what they want to see, what conventional wisdom tells them to see. They only hear the music and not the lyrics of human events.
I see things in hardcopy that I miss if I only see words on screen. I do get sick of the words, but I like to see everything spread out because I get a sense of scale that is missing from screen. Going over each sentence many, many, many times gives me incredible intimacy with sentences, especially their rhythm. The rhythm and music of words matter a lot to me and it only takes one misplaced word to spoil the music.
My friends joke that I love planning things - which I do - and the reason is because there's so much I want to do, so many things I want to see and experience. If I don't actively pursue these things, I will never do everything I want to do, in life and in my career. That's what gets me up in the morning.
I don't view myself as a particularly intelligent people, but I do have one ability that I've demonstrated over and over again, that's helped me see things that other people for whatever reason have not seen. That's that most people see what they expect to see, what they want to see, what conventional wisdom tells them to see. I guess it could be stated that most people only hear the music, not the lyrics of human events.
People don't want to see the guy next door on the stage, they want to see a being from another planet. You want to see somebody you'd never meet in ordinary life.
Dramaturgically, you always hear that you want to see things in the moment, you want to see things happen, you don't want to talk about things, but with "Friends," it was more fun when they talked about it.
I think Robert Altman could see things in me that I didn't know I possessed, which is really exciting. He also instilled a tremendous amount of confidence, because he would say things like, "These are the bare bones, but I want you to go fill it out. You find the character. You bring it to me. You write whatever you want." And if you had an idea, he wouldn't want to hear about it. He's want you to show it to him.
I don't want to die for a few pictures. I want to live for every sunrise I can clap my eyes on; I want to see my family get older; I want to see the world try and get a bit more peaceful and understanding, which unfortunately I don't think I'll ever see.
People used to see things that disgusted them and say, 'I never want to see that again.' Now we've reached the point where we see things that are disturbing and revolting to us, but we want to see more and more of it.
I read a lot of poetry, and I love what it does with language. I love music, too, and I think there's probably no coincidence there, that the rhythm of the words is almost as important as the words themselves, and when you can get the two working together, which usually takes me about 20 goes, I feel a huge satisfaction.
When I'm going to see a comedian, I don't want to see them hold back, and when I'm reading a book, I don't want to hear an abridged version.
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