A Quote by Alice McDermott

My own 'sentimental favorite' is always the novel I haven't yet written - I suppose that's the one I consider my 'masterpiece' as well. — © Alice McDermott
My own 'sentimental favorite' is always the novel I haven't yet written - I suppose that's the one I consider my 'masterpiece' as well.
Many people who don't like Rachmaninov's style consider the 'Rhapsody' his masterpiece. It's written fantastically well for orchestra and piano. He combines a lot of effervescence with a deep, Romantic spirit.
Nobody's favorite movie is some dark, dysfunctional slasher story. Everybody's favorite song is a sentimental song. So why all of a sudden is it bad to be sentimental in books?
When you're adapting a novel, there are always scenes taken out of the book, and no matter which scenes they are, it's always someone's favorite. As a screenwriter, you realize, 'Well, it doesn't work if you include everyone's favorite scenes.'
For me, the goal is always to write a novel that I myself would like to read. People frequently ask me what my favorite book is, and in effect, there's always a capital-F Favorite, capital-B Book that I would like to write myself someday. I try to go for that ideal of writing the best, most entertaining, most beautifully written book that I possibly can.
In my opinion, the vast majority of scripts written - as well as most movies that are released - are not very original, well-written, or interesting. It has always been that way, and I think it always will be.
Some people would say again that my attitudes are cold and cerebral; I suppose if you're thinking about American sentimental movies, I suppose they would be.
'Emma' is my favorite Jane Austen novel - one of my favorite novels period; a novel about intelligence outsmarting itself, about a complicated, nuanced, irresistible heroine who does everything wrong.
I suppose drama can either take the place of a novel or can be very closely allied with it. It's quite customary to turn a successful novel into a film or a television series because you can dramatize and pictorialize a novel.
I have never started a novel - I mean except the first, when I was starting a novel just to start a novel - I've never written one without rereading Victory. It opens up the possibilities of a novel. It makes it seem worth doing.
A friend of mine suddenly announced she had written a novel and got a publishing deal; I thought, 'Hang on... if she can do it, I can bloody well do it, too.' That novel went to a bidding war, and went on to be a huge best-seller.
My favorite thing is coming up with titles. The majority of the songs I've every written I've always thought of the title before I've written the song.
You can always find ways to make it different, as long as it's a really well-written script and well-written character.
I've always felt that life is a novel, and part of it is written for you, and part of it is written by you. It's up to you to write the ending, ultimately.
I always say that I don't want to be sentimental, that the photographs shouldn't be sentimental, and yet, I am conscious of my sentimentality.
'The Slap' is not like anything else. It's an incredibly well-written novel that has been turned into a great and intriguing series that reveals both less and more about each character than you learn in the book. It's a novel that has been given a second chance to live.
Every year I hear people complain that the quality of screenplays and movies is declining. In my opinion, the vast majority of scripts written - as well as most movies that are released - are not very original, well-written, or interesting. It has always been that way, and I think it always will be.
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