A Quote by Alice McDermott
What makes a sentence, a phrase, a moment, or a scene delightful? Something about recognizing the truth in it, hearing the music in it, understanding, intuitively perhaps, that the words are just right. It's not a matter of even context - delight is not limited to scenes or descriptions of happiness or beauty - but of aesthetic appreciation of the thing itself. As a reader, I find it's that moment when I want to stop reading, and also that moment when I know I can't. Delight is that it's what takes me by surprise and reminds me why I love the literary arts above all others.
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A word, and all the infinite fluctuations it may possess. Like that moment when you know you have something to say, and you know you're speaking, even, but you still have no idea how you will say it. Or the moment when, as a reader, you're reading, and you are understanding what you are reading, but still have utterly no idea what will come next for you, what precisely the author wants to say. For me, that is the ultimate level of literary depth, of literary density.
Beauty spins and the mind moves. To catch beauty would be to understand how that impertinent stability in vertigo is possible. But no, delight need not reach so far. To be running breathlessly, but not yet arrived, is itself delightful, a suspended moment of living hope.
Happiness comes from living in the moment, this moment, now, right here. If you are in obscure states of mind, you won't see what this moment is. You won't realize its beauty.
A wonderful acting teacher I love, Josh Pais, has a system I love for being in the moment in acting, but also in life. And one of the things he reminds me of is to take a moment and just be here now.
You figure out how to create opportunities to make music, and then, if you take care of the music, audiences will come around. They also might leave. What matters is the moment: the moment of making music, with and for and among others, and what that offers to those people in that moment. They might never see me again; they might never learn my name. But it might still be something they carry with them.
What I've discovered is that in art, as in music, there's a lot of truth-and then there's a lie. The artist is essentially creating his work to make this lie a truth, but he slides it in amongst all the others. The tiny little lie is the moment I live for, my moment. It's the moment that the audience falls in love.
It's about feeling alive in the moment because your adrenaline is going, your thinking about that present moment, you're not somewhere else, you're not thinking about what's going to happen 10 minutes from now, and that's the reason why I love fighting, it's when I'm in there. I feel free, I feel like there's no other place I want t be. I can't even think of anything beyond that second. That's why I'm drawn to the fight, because I love the presence of it, where it brings me mentally, it's the purest thing for me.
When I'm in a session with someone I don't know, I like hanging out for a moment and talking and seeing if we can find some similarities in whatever conversation we're having. The best thing is when you just go for it - just do something that feels good and makes you feel free in the moment.
There has to be a moment at the beginning where you wonder whether you’re in love with the person or in love with the feeling of love itself. If the moment doesn’t pass, that’s it—you’re done. And if the moment does pass, it never goes that far. It stands in the distance, ready for whenever you want it back. Sometimes it’s even there when you thought you were searching for something else, like an escape route, or your lovers’ face.
My pictures are about a search for a moment—a perfect moment. To me the most powerful moment in the whole process is when everything comes together and there is that perfect, beautiful, still moment. And for that instant, my life makes sense.
For a long time, we assume we know who we are, until the moment we fully realize who that is; in that moment, identity is no longer predictable, but rather takes the form of a truth that, like any other, can become a sentence with no more than a change of perspective.
Delight is the secret. Learn of pure delight and thou shalt learn of God. What then was the commencement of the whole matter? Existence that multiplied itself for sheer delight of being and plunged into numberless trillions of forms so that it might find itself innumerably.
It's just never the same. At least for me.It's probably because it's just who I am, I never know what that [truth] is. It's so momentary to go, "Oh, yeah, that's true." That's a fundamental starting point for me - to figure out what's true from moment to moment to moment.
From the moment I laid eyes on you I couldn't stop looking at you. From the moment we talked I couldn't stop arguing with you. From the moment we kissed I couldn't stop kissing you. And from the moment we shared our hopes, fears and insecurities I couldn't stop loving you.
I offer gentle understanding to myself. I position myself in love, not fear. I look behind me with forgiveness. I look forward with festive anticipation. I embrace this holy moment and assert, "Now. This moment is the moment to love, the moment to serve, the moment to seize the legacy instead of the small. Now. Now I will live large, love boldly, reach to the edges of my unfurled heart and fully enrolled hope."
Music is a total constant. That's why we have such a strong visceral connection to it, you know? Because a song can take you back instantly to a moment, or a place, or even a person. No matter what else has changed in your or the world, that one song says the same, just like that moment.
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