A Quote by Alice Meynell
She walks--the lady of my delight-- A sheperdess of sheep. Her flocks are thoughts. She keeps them white; She guards them from the steep. She feeds them on the fragrant height, And folds them in for sleep.
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These bright roofs, these steep towers, these jewel-lakes, these skeins of railroad line - all spoke to her and she answered. She was glad they were there. She belonged to them and they to her.
My mother, she was able to swim through planets and turn them into whatever she wanted - they didn't have to be what we know them to be. So she actually had Jupiter in her hair, when she was talking to me.
People paused to listen to Denise Chávez and she had them - with gum on her shoes, she had them. She said she stepped on gum when she came up to the stage and she couldn't move, so she had to stay in one spot otherwise people would see the Chiclet.
With Whitney she has such a unique sound and powerful instrument that she made those songs her own. She might as well have written them because she brought such a power and passion to them that were very unique. She has a great gift.
She lay on her back and walked her fingers down her ribs, skipped them over her abdomen, and landed on her pelvic bones. She tapped them with her Knuckles. [. . .] I can hear my bones, she thought. Her fingers moved up from her pelvic bones to her waist. The elastic of her underpants barely touched the center of her abdomen. The bridge is almost finished, she thought. The elastic hung loosely around each thigh. More progress. She put her knees together and raised them in the air. No matter how tightly she pressed them together, her thighs did not touch.
She had, without realizing it at the time, learned to follow Nick's gaze, learned to learn his lust...his desires remained memorized within her. She looked at the attractive women he would look at...She had become him: she longed for these women. But she was also herself, and so she despised them. She lusted after them, but she also wanted to beat them up. A rapist. She had become a rapist, driving to work in a car.
If a hamster has too many babies she knows she cannot carry, she not only abandons them, but she eats them. That means she doesn't have to go out and hunt for food for herself.
Staring at him the way she might stare at a beloved place she was not sure she would ever see again, trying to commit the details to memory, to paint them on the backs of her eyelids that she might see it when she shut her eyes to sleep.
When she walks she walks with passion when she talks, she talks like she can handle it when she asks for something, boy she means it she know you would do [anything] to keep her by your side she'll make you work hard make you spend hard make you want all, all of her she'll make you fall real fast [in love].
Is O used by René and Sir Stephen, or does she in fact use them, and...all those irons and chains and obligatory debauchery, to fulfill her own dream-that is, her own destruction and death? And, in some surreptitious way, isn't she in charge of them? Doesn't she bend them to her will?
Karen wasn't hard, she was soft, too soft. A soft touch. Her hair was soft, her smile was soft, her voice was soft. She was so soft there was no resistance. Hard things sank into her, they went right through her, and if she made a real effort, out the other side. Then she didn't have to see them or hear them, or even touch them.
Those were the people who made her something, and without them she was different. She'd held on to them and to that old self tenaciously, though. She clung to it, celebrated it, worshipped it even, instead of constructing a new grown-up life for herself. For years she'd been eating the cold crumbs left over from a great feast, living on them as though they could last her forever.
She emptied herself of Fabio and of herself, of all the useless efforts she had made to get where she was and find nothing there. With detached curiosity she observed the rebirth of her weaknesses, her obsessions. This time she would let them decide, since she hadn't been able to do anything anyway. Against certain parts of yourself you remain powerless, she said to herself, as she regressed pleasurably to the time when she was a girl.
Just like Marilyn Monroe is a lot of girls' idol, that's how I feel about Dorothy Dandridge. And she any Marilyn were very close friends. She went through a lot, and people told her that she couldn't do certain things, but she didn't let that bother her. She said in her mind that she was going to do them and that nothing was impossible, and she did it. It was so sad... She died from drugs, and drinking as well.
For an instant she felt them, their identities, almost their substance, pass over her head like a wave. At some time she would be — or no, already she was like that too; she was one of them, her body the same, identical, merged with that other flesh that choked the air in the flowered room with its sweet organic scent; she felt suffocated by this thick sargasso-sea of femininity.
Nicki Minaj is one of those rare artists who get the social aspect of their career. She interacts with her fans. She replies to them. She gets them information first.
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