A Quote by Alice Munro
In my own work, I tend to cover a lot of time and to jump back and forward in time, and sometimes the way I do this is not very straightforward.
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Some of the stories I admire seem to zero in on one particular time and place. There isn't a rule about this. But there's a tidy sense about many stories I read. In my own work, I tend to cover a lot of time and to jump back and forward in time, and sometimes the way I do this is not very straightforward.
I was on the cover of a lot of newspapers. I was on the cover of USA Today for every single day for a month. I was on the masthead, so I tend to get recognized a lot, and in weird places. It's always flattering, and it's always odd. It's always at the worst possible time.
Being in Marin City was like a small town so it taught me to be more [straightforward] with my style. Instead of of being so metaphorical with the rhyme, I was encouraged to go straight at it and hit it dead on and not waste time trying to cover thingsIn Marin City it seemed like things were real country. Everything was straightforward. Poverty was straightforward.
Sometimes people look at our covers and say, "That looks just like that other cover." I say, "And?" It reminds them of a cover from way back when. If you know the cover, then pull it out and compare it. I don't care. It's supposed to bring back memories.
For me, a lot of my work has dealt with what it means to be at the center of the universe and how alienating and kind of seductive it is. A lot of my work is very aggressive and very visual, but at the same time, it has a lot of tension in it and makes you kind of uncomfortable sometimes.
I work for ABC television; I have my own syndicated TV series. I've been on the cover of 'Time Magazine' and on the cover of 'Sports Illustrated' five times.
I listen to music all the time, and a lot of the things I cover are the standards of my time, and they work for me.
The life of a creator is not the only life nor perhaps the most interesting which a man leads. There is a time for play and a time for work, a time for creation and a time for lying fallow. And there is a time, glorious too in its own way, when one scarcely exists, when one is a complete void. I mean-when boredom seems the very stuff of life.
I mean, movies in general tend to sort of portray time, space and identity as these very solid things. Time moves forward. Space is what it is. You are you, and you're always you.
A lot of people tend to think that because I need all this time on my own in the studio, that I need time on my own, period. And that's not really true.
I think anybody goes through a crisis of confidence from time to time. You have to kind of doubt yourself, sometimes. It's the way forward.
It's so easy to look forward when you're travelling; you spend your life looking forward, thinking, 'What's next? When do I get time to work on my music again? Or when do I get time to get my 'normal' life back?'
Given the amount of work and time my mum devoted to my sister, it left me a lot of time to play on my own. I mean, I played with kids in the street all the time, too - I definitely wasn't denied a childhood. But I do wonder whether, in a sense, acting was my way of getting noticed.
So the best thing is to really work on yourself and opening your own heart and just letting all that stuff [worrying] go. And it is possible. It's sometimes takes a lot of time; it's not easy. And a lot of sitting with yourself and trying to work with your own heart.
Living as an actor is rather like living life on the trapezes in a circus. Every time you jump on, you have to pray that, when the time comes for you to jump off, there is another trapeze swinging your way.
In a strange way, I don't have a job, so I have a lot of time on my hands. When I do work, it might be very concentrated, and it might be months where you're not really doing anything except maybe playing the banjo or writing something. You know, there's a lot of time in the day if you're not working 9 to 5.
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