A Quote by Alice Munro

I've often made revisions at that stage that turned out to be mistakes because I wasn't really in the rhythm of the story anymore. I see a little bit of writing that doesn't seem to be doing as much work as it should be doing, and right at the end, I will sort of rev it up. But when I finally read the story again, it seems a bit obtrusive.
I became more curious about the story behind the story [in the House of Cards]. So what was really going on behind the headline? And it's a little bit sad that that show, it doesn't seem so much like entertainment the way it did back when we started doing it.
Translation is harder, believe it or not. You do have to come up with a story, and actually I'm mystified by that process. I don't exactly know how the story just comes, but it does. But in writing a story that you're inventing, versus writing a story that somebody else has made up - there's a world of difference. In translation you have to get it right, you have to be precise in what you're doing.
When it is my editor telling me how to rewrite a story, I listen and do what she asks because I have learned that I get a better book in the end. I can't say I'm happy when I read that editorial letter. It is always a little painful and scary. But I have learned that - bit by bit - I can make the changes and do the work.
I love being a clutch member of the team, but I hope, in the future, I get a little bit more story on my shoulders and a little bit more responsibility to keep the world of a story up in the air. I really, really welcome that challenge.
I think we should SHUT UP, stop talking about negotiating anything, just be quiet and let things sort themselves out a little bit, and see what happens. Maybe there will be one or two other countries that think what Britain's done, we can do, and it seems the right way to go.
When you're writing about people that are not very well off, you seem to see the kitchen sink. So it was a bit of a sort of cosy phrase that got used a bit too much.
Essentially, the scripts are not that different. Let's say, in literary terms, it's the difference between writing horizontally and writing vertically. In live television, you wrote much more vertically. You had to probe people because you didn't have money or sets or any of the physical dimensions that film will allow you. So you generally probed people a little bit more. Film writing is much more horizontal. You can insert anything you want: meadows, battlefields, the Taj Mahal, a cast of thousands. But essentially, writing a story is writing a story.
You can be a little bit darker and rougher on the stage, partly because when you're in the theater, people have come to see you, and so they kind of know what they're in for. In television, you are sort of sneaking into people's homes. So, I think you can be a little bit darker on stage.
If you look up the definition of stand-up comedy, it's funny on purpose. A little bit of pressure there. It's basically acting. You're telling stories and acting them out for people. The more you make it seem real, really a person doing it, then it seems to me the better it works.
I had written a story. I wrote the story out of some desperation, really, and I didn't know I was writing a story, and it took me years. And when I finished, a friend of mine had the idea that the story should be read as a monologue in a theater.
I started by doing a little funny story, and then I started going to open mics. I realized I had a lot of work to do - you have to get over the stage fright and get your stage presence up. It took me some time, but I finally feel that I'm at a point where I feel comfortable on stage and giving my point of view.
When I feel like I'm doing my best work, there is a bit of a freedom, a bit of flight that you're not so much losing yourself but you're sort of in the zone.
Writing is a little athletic for me. I get worked up a little bit when I do it. So I guess I'm a little bit like that composer conducting. There are a lot of things that go into what I do, but I think athletics really sort of shaped my ethic.
When we learn to read the story of Jesus and see it as the story of the love of God, doing for us what we could not do for ourselves--that insight produces, again and again, a sense of astonished gratitude which is very near the heart of authentic Christian experience.
There's a lot of dancing in football. You can see Victor Cruz doing a little bit of a cha-cha or samba move in the end zone. You can see Terrell Owens getting his popcorn ready. You can see Ochocinco doing the riverdance. But not so much when it comes to ballroom.
Our hope is that every single day the work we're doing is helping to make the American people just a little bit safer, a little bit more prosperous, a little bit healthier.
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