A Quote by Alice Munro

While working on my first five books, I kept wishing I was writing a novel. I thought until you wrote a novel, you weren't taken seriously as a writer. It used to trouble me a lot, but nothing troubles me now, and besides, there has been a change. I think short stories are taken more seriously now than they were.
I was an avid reader, but never thought seriously about writing a novel until I was in my thirties. I took no formal fiction-writing courses and never thought about these categories when I wrote my first novel.
I was a lot dumber when I was writing the novel. I felt like worse of a writer because I wrote many of the short stories in one sitting or over maybe three days, and they didn't change that much. There weren't many, many drafts. That made me feel semi-brilliant and part of a magical process. Writing the novel wasn't like that. I would come home every day from my office and say, "Well, I still really like the story, I just wish it was better written." At that point, I didn't realize I was writing a first draft. And the first draft was the hardest part.
This was my first novel [The Dissemblers ]. I've never seriously written short stories, and actually find short stories much more intimidating as an art form than novels.
I've always been a little bit more of a novel reader than a short story reader. I think the first books that made me want to be a writer were novels.
As to my writing short pieces, there are two reasons I can give you. The first is my invincible laziness. The second is that I've always been fond of short stories, and it always took me some trouble to get through a novel.
When I first began to write fiction, I didn't think I was a comic writer; I thought I was a serious writer. I was surprised when the first novel I wrote was regarded as a funny novel.
The incarnation is “a kind of vast joke whereby the Creator of the ends of the earth comes among us in diapers Until we too have taken the idea of the God-man seriously enough to be scandalized by it, we have not taken it as seriously as it demands to be taken.
I'd like to do more dramatic roles but I would never give up comedy to do it. I've seen a lot of actors that do a complete 180 degrees and say: "I'm done with comedy, I want to be taken seriously." I take my comedy very seriously and I want to be taken seriously because of my comedy. I think it's more fun for me. I enjoy laughing and attempting to make people laugh. So I'd like to do more drama but I'd never do the 180 thing.
I suppose I started writing seriously at 16 years old. I thought I wrote a novel at 16 and sent it to New York! They sent it back because it wasn't novel.
I honestly don't think you're taken seriously until you're 30. Any ideas I've ever taken to the BBC, they've told me I wasn't ready for it.
I started writing seriously when I was 18, wrote my first novel when I was 22, and I've never stopped writing since.
It was only after two years' work that it occurred to me that I was a writer. I had no particular expectation that the novel would ever be published, because it was sort of a mess. It was only when I found myself writing things I didn't realise I knew that I said, 'I'm a writer now.' The novel had become an incentive to deeper thinking. That's really what writing is—an intense form of thought.
I'm one of those writers who started off writing novels and came to writing short stories later, partly because I didn't have the right ideas, partly because I think that short stories are more difficult. I think learning to write short stories also made me attracted toward a paring down of the novel form.
Beautiful actors are learning what beautiful actresses like Charlize Theron discovered a while ago - that they get taken more seriously when they trash the same beauty that got them taken seriously to begin with.
I don't revise a lot when writing short stories. As far as the novel, I definitely thought more about plot. Honestly, I'm still pretty confused about what "plot" means. I've been reading some of my Goodreads reviews and one reader noted that the The Last Days of California "reads like a short story stretched to the breaking point, padded and brought into novel range..." I don't know what people want, really.
I tend to be more of a novel writer. In fact, some of my novels started out as short stories, and I just got carried away! I think some of my best writing is in the short story form, but novels come more naturally to me.
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