A Quote by Alice Munro
I loved taking off. In my own house, I seemed to be often looking for a place to hide - sometimes from the children but more often from the jobs to be done and the phone ringing and the sociability of the neighborhood. I wanted to hide so that I could get busy at my real work, which was a sort of wooing of distant parts of myself.
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Every so often I'll go back down to earth and I'll make reference to a phone or a house or something, something that's a bit more real. But I suppose what that does, is it puts you in a surreal place but also my music doesn't get too carried away in that sense, which I quite like.
We should not be upset that others hide the truth from us, when we hide it so often from ourselves.
In L.A. you can hide. I can hide at the beach, hide up in the hills. In Miami everybody is looking at you.
... what most people tell you a confidence for is to get something off their chest which hasn't really been on it. They don't necessarily want to hide the truth from you, but they're out to hide it from themselves
Sympathetic people often don't communicate well, they back reflected images which hide their own depths.
When I come up with a melody in my head, it could be anywhere: in the shower, on the plane, in bed - often when I'm on the go. I'll record it on my phone with my own voice, humming. When I get to the studio, I check which melodies work.
We're missing a lot of the real-life stories of what people's work looks like. Those are the people that I want sitting on the zoning board meetings, on the zoning commissions. Those are the people I want participating in business improvement in their own industry. The gentrification processes that often happen in cities so often manifest in street sweeps of sex workers. How do you get sex workers on neighborhood associations, regarded as members of the neighborhood?
…He was always high on drugs. I was not a drug man, but in case I wanted to hide from myself for a few days, I knew I could get anything I wanted from him.
We never used to blink at taking a leadership role in the world. And we understood leadership often required something other than drones and bombs. We accepted global leadership not just for humanitarian reasons, but also because it was in our own best interest. We knew we couldn't isolate ourselves from trouble. There was no place to hide.
I don't get off on romantic parts. But I often think if I had had my dental work done early on, well, maybe.
In dialogue scenes, my favorite moments are when people aren't talking because you can cut to the heart of the matter much more quickly, often with a look. People hide things in words. When you don't have words to hide things in, it becomes much more direct and much more immediate of a connection.
It was frustrating when people loved you and took an interest in you and sometimes worried about you and personally cared what you did with yourself. Lena wished that love were something you could flip on and off. You could turn it on when you felt good bout yourself and worthy of it and generous enough to return it. You could clip it off when you needed to hide or self-destruct and had nothing at all to give." (Lena, 194)
The way Mom saw it, women should let menfolk do the work because it made them feel more manly. That notion only made sense if you had a strong man willing to step up and get things done, and between Dad's gimp, Buster's elaborate excuses, and Apache's tendency to disappear, it was often up to me to keep the place from falling apart. But even when everyone was pitching in, we never got out from under all the work. I loved that ranch, though sometimes it did seem that instead of us owning the place, the place owned us.
I always wanted to get into rock music so I could cover up my real personality, change my voice, and create a false self to hide behind.
In April 2005, I lost my father and after a few days, I went to Sajid Khan's place to discuss a film role. I wanted to keep myself busy with work so that I could forget the pain of losing a parent. When I went to meet him, he randomly asked me to touch his private parts.
You could never hide yourself in these places - in Mies's Farnsworth house, for example. That was a mistake of Modernism. People need places to hide from each other, too. You need everything.
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