A Quote by Alice Munro

I want my stories to be something about life that causes people to say, not, oh, isn't that the truth, but to feel some kind of reward from the writing, and that doesn't mean that it has to be a happy ending or anything, but just that everything the story tells moves the reader in such a way that you feel you are a different person when you finish.
I want my stories to move people ... to feel some kind of reward from the writing.
Sometimes I'll go for something more because of the story, or more because of the director. But, generally, I have to feel like it's something that I have a real sympathy for - a person that I can completely go, "Oh, wow, oh, I'm there." Otherwise I don't feel like I will be able to pull it off at all. I know I haven't done everything very well in the past; some things have worked and some things haven't. But I need to feel like I can feel about the person, understand that person, I suppose.
I gravitate to stories that I feel I can tell well, and that will have a positive affect on the viewer. That doesn't mean it always has to have a happy ending, but I always like to try to tell a story that will make people think in a new way or come to their own constructive resolution on a particular topic. Or simply, just to experience something collectively and say: "Yeah, I know how that feels".
It's funny - for a long time, I didn't know I was writing a book. I was writing stories. For me, each story took so long and took so much out of me, that when I finished it, I was like, Oh my gosh, I feel like I've poured everything from myself into this, and then I'd get depressed for a week. And then once I was ready to write a new story, I would want to write about something that was completely different, so I would search for a totally different character with a different set of circumstances.
I don't know what I'm painted as. I can be happy as hell and then someone says something and I feel different. People are going to say whatever they want to say to... get people to read their story. I just ask people to write the whole, complete story.
I think the best thing about music is that someone could be writing a song that's so personal, and it tells so many other people's story at the same time. It kind of exemplifies that we are all kind of on the same wave[length] - it's amazing how comforting somebody else's story can be, because we have experienced their story in some way or another, and I can totally relate, and I get to feel that feeling and the expression of that emotion. I get to feel like as a listener, that somebody understands me, which is pretty incredible.
As the older ones, to understand that it is a different time, and young people look at fashion in a different way . . . It's just different. If we harp on about it, they'll feel like we're just old fuddy-duddies, so I just kind of get on with it. I still feel I've got things to say.
A lot of life is about how you feel relating to dealing with this person or that person. If this person makes you feel good, then they're a person to be around; if they don't, they're not. Being in a band is different. The group is the more important part, and you have to kind of shift the way you look at life when you're in a group of people that you work with.
It's not that people like sad movies that make us feel like, "Oh, my god, what a bummer." We like emotionally moving experiences, where you feel like a slightly different person and you see the world a little different, after you finish. It lets you see your own life, in a different way, and it actually makes you feel really good. And even though there might be sad content making this happen, the feeling that you're left with is one that is quite good, quite hopeful, clarifying and uplifting.
Some writers are writing one great, big book and just taking all these different avenues towards it. They might seem on the outside to be different, but they're really not. And that's a different kind of mindset. I don't know why it is, but I just feel like I really want to escape myself as much as I can - myself as the artist, or as the writer, or as the thinker - with each new project, because one, it's just boredom, but also, I guess I just feel most comfortable starting a new book if I just feel a little in the dark about it.
You know what, I'm happy to say that everything outside of 'Dexter' feels like a vacation, and I don't mean to say anything negative about the show. It's just a different kind of work. Emotionally it's taxing and complicated, and that's a great thing.
A man who tells secrets or stories must think of who is hearing or reading, for a story has as many versions as it has readers. Everyone takes what he wants or can from it and thus changes it to his measure. Some pick out parts and reject the rest, some strain the story through their mesh of prejudice, some paint it with their own delight. A story must have some points of contact with the reader to make him feel at home in it. Only then can he accept wonders.
I want an ending that’s satisfying. I’m more of a classical writer than a modernist one in that I want the ending to be coherent and feel like an ending. I don’t like when it just seems to putter out. I mean, life is chaotic enough.
I want an ending that's satisfying. I'm more of a classical writer than a modernist one in that I want the ending to be coherent and feel like an ending. I don't like when it just seems to putter out. I mean, life is chaotic enough.
I actually dislike, more than many people, working through literary allusion. I just feel that there's something a bit snobbish or elitist about that. I don't like it as a reader, when I'm reading something. It's not just the elitism of it; it jolts me out of the mode in which I'm reading. I've immersed myself in the world and then when the light goes on I'm supposed to be making some kind of literary comparison to another text. I find I'm pulled out of my kind of fictional world, I'm asked to use my brain in a different kind of way. I don't like that.
I feel that I'm a spiritual person in that I feel like telling stories is a spiritual exercise and I think that it's something that we need as a culture and as humans. We need for people to put stories up in front of us that we recognize ourselves so that we can see - you need to be able to see something in a finite form in order to identify with it sometimes because your life sprawls before you in this kind of way that you can't capture.
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