I haven't read Ibsen, Shaw, Shakespeare - except 'The Merchant of Venice' in ninth grade. I'm not familiar with 'Death of a Salesman.' I haven't read Tennessee Williams.
I studied acting in NYU's graduate program, in which we covered everything from Ibsen and Chekov to August Wilson and David Mamet.
I never wanted to be an actor as a kid. I wanted to play hockey, like every other kid in Canada. I had a pretty good shot at it until I was 15 and badly injured myself.
Being a theater actor, I've done a lot of plays where I've seen someone else play the same role in another production. Especially with the classics: Shakespeare, Tennessee Williams.
Shaw is like a train. One just speaks the words and sits in one's place. But Shakespeare is like bathing in the sea - one swims where one wants.
You rarely pay the rent by doing Shakespeare or Ibsen.
Ibsen, Chekhov, Shakespeare, and Beckett to me are the most revolutionary.
When I started in the theater, I'd do plays by Shakespeare or Ibsen or Chekhov, and they all created great women's roles.
I played Hamlet, I played Chekhov and Ibsen and all the classics.
At NSD, I had an amazing experience learning everything from stagecraft to western drama and Shakespeare, Maxim Gorky, Anton Chekov.
I had the training at drama school where I studied Shakespeare and Brecht and Chekov and all these period historical playwrights and I think that I responded to the material.
I was really exposed to great old-time literature - the classics, the poetic realists like Strindberg and Ibsen and all those guys. I was really inspired by all those guys. That's when writing became a primary focus.
My background is somewhat unusual, as I trained to be a ballet dancer. I worked in the theatre for eight or nine years as a contemporary dancer. But as an actor one does read Shakespeare and does try to learn the classics.
We depend on the critics to give us a glimpse of what happened. Bernard Shaw championed Ibsen, who got the most terrible notices for his plays. Kenneth Tynan championed young writers, and as a result, the theatre has changed radically.
I was a musical theater major at the University of Arizona. And I primarily trained with Marsha Bagwell. It was a classical program, so we did Chekov and Moliere and a lot of Shakespeare.
Shakespeare is one of the reasons I've stayed an actor. Sometimes I spend full days doing Shakespeare by myself, just for the joy of reading it, saying those words... I do Shakespeare when I am feeling a certain way.