A Quote by Alice Ripley

The audience fills me back up, definitely. — © Alice Ripley
The audience fills me back up, definitely.
"Born To Run," that expands every time we go out. It just seems to you - more of your life fills it in, fills in the story. And when we hit it every night, it's always a huge catharsis. It's fascinating to see the audience singing it back to me. It's quite wonderful, you know, to see people that intensely singing your song.
Standup is more me talking the entire time. There's definitely an exchange of energy because that room, that audience, is giving back.
When I joined, they were like "Woah, dude!", because I came right out of that type of playing. But obviously with P. Roach there's more groove. I like doing those slower big fills, but I also like injecting some of that punk rock urgency. But I definitely need to mix it up, because if I was playing all fast fills all the time, it just wouldn't work.
When you perform with a live audience, the audience comes back to you, so that you and the audience are giving to each other, in a sense. It's an extraordinary thing. It's wild turf up there.
I don't like to be my own audience, I find that being my own audience, being in the audience, makes me self-conscious, basically. So I tune in sometimes, with the sound off, to check it out and I back up to it. In the future I will look at it when some time has passed.
Then I became a mother and it just fills every space, that isn't filled with something else important. It's just like this incredible balloon that blows up and fills life up.
Even on the drum level, it's all about stating your theme, going back to certain things that need to be emphasized, not doing fills for the sake of doing fills.
I miss her. I don't know how to live without her. There is a hole inside me that nothing fills. If you don't find something to fill that hole, someone else will. And if someone else fills it, they own you. Forever. You'll never get yourself back.
On stage, I'm always nervous, but there is so much adrenalin, too. It's strange because I have to turn my back on the audience, and my audience is the orchestra. I communicate my energy to them, and they communicate it to the audience behind me!
I'm not against making new fans, but I'm not going to go out of my way to pander to someone and try to make them like me; that's not who we are. It's not as if we're fighting to find an audience - we have our audience, and anybody else is definitely welcome.
A lot of actors, whatever movie you're working on, you make up a back story just for your own, to work off, even if the audience doesn't have it revealed to them. I think it's important that the audience makes up their own mind.
You can feel whether an audience is tightened up and pulled back. Of course the opposite is an audience like we've been having in LA, which is fabulous.
In eighth grade, when I was just the school weirdo, my drama teacher put me in a play, and we came up with a few comedy bits. And that very first reaction, for an audience of supportive middle schoolers, I put my head out and pretended I got scared by the audience, and ducked back in. They all went: 'Yeah! That's great!'
I don't love him, & he definitely doesn't love me. Still, he semi-fills a gaping black hole inside me. That place wants love, maybe even needs love, but love is something I"m pretty sure doesn't exist.
The 'Inside' record definitely opened up a whole new audience.
My schedule fills up so ridiculously hard that you see me fighting and I take a loss or you see me fighting and I look terrible, but you have to go back and if you could see the schedule that I'm on you'd say, this is crazy. There's nobody who should be fighting on this kind of schedule.
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