A Quote by Alice Ripley
Springsteen's 'Thunder Road' and Carole King's 'It's Too Late' are examples of why I am a singer/songwriter. I practice these songs every day. The melodies are timeless in the rock world, the lyrics are words that I need to say, and they need to be heard again.
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Sometimes I need to reject the music proposed for my songs because the musicians misunderstand that the Fanny Crosby who once wrote for the people in the saloons has merely changed the lyrics. Oh my no. The church must never sing it's songs to the melodies of the world.
I want to see all the countries in the world and learn all the languages. I want to have thousands of friends and I want all my friends to be different. I want to play six instruments. I want to be the best in the world at two things. I want to be a great athlete and I want to be a great surgeon. I need to practice very hard every day. I need to sleep as little as possible. I need to read at least one major book every week. And I need to remember that my seventy years are going to go by too quickly.
My tendency is to want to say to the person, "Do you understand why I feel this way?" I usually do say that. And sometimes it doesn't go well. By this I mean we hit an impasse again. Not that I need to hear exactly what I want to hear, but I need to know I am heard. Those moments make for a better friendship. But I can't let it go. For good or bad.
Life is insanely robust, though we can make species go extinct, and this is the bad thing. So I always make the point that you can't say, 'Is it too late?' That is the terrible question, because either answer promotes inaction. If it's too late, you don't need to act; if it's not too late, you don't need to act.
Sometimes, the songs that really affected me were not from the artist catalogue of their music, like the song 'Thunder Road' by Bruce Springsteen. I never got into any of his other music, but that song, to this day, is in my top three lyrical masterpieces of all time.
There's no real outlet for making Hip-Hop in Alabama. You need to travel to get heard. You really need to be working though. You need to be going at it every day and getting yourself seen, getting yourself out there on the road, doing shows, making music. It's all about being on your grind.
I write lyrics. putting words and melodies to my songs. That's a real challenge, I take it on vigorously.
When I'm outside gardening, it can be so inspiring. I think of words and melodies. It's peaceful. Every singer-songwriter should find something outside of music that makes them as happy as gardening makes me.
Every day in practice I have to lead by example. But at the same time, when people aren't doing what they're supposed to be doing, you're responsible as a player. You can't rely on the coaches to say everything. The players have to be responsible and take ownership of the team. Every day in practice there are situations where you need to say something and get a message across, but do it in the right way.
I'm not bashing people who write songs that are just 'get on the dance floor and party party', I understand why people need those songs too, but I don't really write lyrics like that.
Jim had melodies as well as words. He didn't know how to play a chord on any instrument, but he had melodies in his head. To remember the lyrics he would think of melodies and then they would stay in his head. He had melodies and lyrics in his head, and he would sing them a cappella, and we would eke out the arrangements.
On piano, I tend to write either gospel or singer-songwriter songs, sometimes kind of rocking blues songs. But the more heavier rock stuff I will write on bass.
That's something that I think as a songwriter you have to ask yourself - why you're doing it. The world certainly doesn't need more songs. Are you doing it just for your ego?
I didn't come in and say: "I'm a singer." I came into the band as a second guitar player and a vocalist, but not the songwriter. I had been writing poetry for years, so I sort of had the nature of the words. I felt like no one else could sing my lyrics, so I took a crack at it.
We like to take pop songs that have really cool, complex melodies or lyrics and strip away all that fluff and electronic noise, and put them back as if they were written for a singer and a piano.
When I write songs, I like to write lyrics first, and I think that's different from a lot of singer-songwriters. But I heard Sammy Cahn was asked what comes first, the lyrics or the music, and he said, 'The paycheck.'
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