When I was a kid, every field trip was to some Roman fort because it was cheap and free.
I was born and spent my first five years in Chester, an ancient city that retains some of its Roman walls and fortifications and contains a great medieval cathedral, as well as Tudor, Stuart and early 19th century architecture. Visiting these things was free, and my parents - who had little money - made the most of this.
How do you do original work when culture is telling you which font face to use, which layout.
It would be really great if someone would invent a new Internet with the specific purpose of not making money off of it, but making it what it originally was, a free marketplace of ideas, and there are still aspects of the Internet that are that. Wikipedia, essentially, is still the bastion of the original ideals of the Internet.
With each of those projects I wasn't thinking about how the layout would really affect the story I was working on - it wasn't the content that was affecting the layout, it was, how I wanted to draw at that point in time.
We're talking about, essentially, the Roman historians, who wrote Cleopatra into the story mostly so that they could talk about the rise of Rome. And that is one of the problems, of course, in recounting her life. She's only ever apparent to us when there is a Roman in the room, or when her story intersects with the rise of Rome.
Just reading that - just reading that a person can be black and still perform in blackface, making fun of black people for a living, and at the same time be a genius and be an incredible entertainer and at the same time be extremely conflicted and feel like - just feel terrible for doing that, essentially, which is what Bert Williams felt, from what I gather, from what I read - all of that just made - was so incredible to me.
Fort Leavenworth is in fact no fort, being without defensive works, except two block-houses.
I knew Chester. I've known Chester since 2001. I was in a band called Dry Cell, and we were signed by the same guy that signed Linkin Park, so that's how I knew him. He would come to some of our writing sessions and rehearsals; I'd see him in the studios that we were at.
There is no recipe for good layout, what must be maintained is a feeling of change and contrast. A layout man should be simple with good photographs. He should perform acrobatics when the pictures are bad.
With each of those projects I wasnt thinking about how the layout would really affect the story I was working on - it wasnt the content that was affecting the layout, it was, how I wanted to draw at that point in time.
I changed the layout of comic books in general. When I came in, layout design wasn't really part of what you did. It was all just panels, panels, panels. So when I came in, I thought, 'Nah, let's change that,' and I designed the page.
We still haven't gotten the message; we still don't see that it's bad. And then we copy everything about their [Roman Empire] structure. I mean Paul Bremer was the proconsul of Iraq. We're still using ancient terminology, we still have Senators and we have an Emperor, almost.
The right-of-centre parties still often compete with left-of-centre ones to proclaim their attachment to all the main programmes of spending, particularly spending on social services of one kind or another. But this foolish as well as muddled. It is foolish because left-of-centre parties will always be able to outbid right-of-centre ones in this auction - after all, that is why they are on the left in the first place. The muddle arises because once we concede that public spending and taxation are than a necessary evil we have lost sight of the core values of freedom.
To perform at the Cardiff Millennium Centre was amazing in itself - the theatre is an incredible venue and it was great to be performing so close to home. For me the best experience was in Glasgow, where I got to play Dee Dee for two weeks! The audience sang along to every song with such enthusiasm you actually couldn't hear yourself singing! That was incredible!
The self is not only the centre but also the whole circumference which embraces both conscious and unconscious; it is the centre of this totality, just as the ego is the centre of consciousness.