A Quote by Alice Roberts

You don't need to go to Rome, Prague or Vienna to find wonderful architecture, amazing stories and suprising, hidden gems. — © Alice Roberts
You don't need to go to Rome, Prague or Vienna to find wonderful architecture, amazing stories and suprising, hidden gems.
You could spend your time with your nose buried in a guidebook, but Amsterdam really is best explored on foot, so you can stumble upon the city's hidden gems. The architecture and the beauty of some of the buildings is also wonderful.
My parents came a long time ago to Vienna, met in Vienna. Of course they had to go through a lot also, but we're very happy to have our home in Vienna.
I also find the desert a wonderful metaphor for desolation and yet the exact counterpart of the ocean with its hidden depths. Both are vast, harsh, implacable, homogenous to the untrained eye, and beautiful. Bothallow the wind to roam on the surface. And both serve as wonderful vehicles for human survival stories.
I was in Vienna in August 1968 for a meeting of the International Federation of Multiple Sclerosis Societies, of which I was co-founder, and we wanted a 20th country to join. They asked for a volunteer to go to Prague to get Czechoslovakia to do it, and my hand always goes up first.
There's a lot of hidden gems in the UK. You sometimes have to dig deep to find them, but there's still a lot of great guitar bands out there. So, in a way it makes you appreciate it more, but then a lot of bands do go missing also.
I really like the city of Vienna. I like its art, its music and its architecture. In short, I like the culture that Vienna represents. What really captures me is the period around 1900 - the time of Freud, Schnitzler and Klimt. This is the period in which the modern view of mind was born.
As the flint contains the spark, unknown to itself, which the steel alone can awaken to life, so adversity often reveals to us hidden gems, which prosperity or negligence would forever have hidden.
I have amazing kids, an amazing husband, a fabulous career, wonderful parents. If I had to go through some rough spots to get to this amazing place, so be it.
We'll go on vacation, but we don't really care to go see Rome or anything. We just want to play dominoes. We like the fact that we can say, 'Oh, we went to Rome.' 'Well, what'd you do in Rome?' 'Played dominoes'.
My idea was to go to Vienna to study conducting and perhaps play in an orchestra first, so I thought before I got to Vienna I could do with a little training in Paris.
In 'Roma,' I wanted to get across the idea that underneath Rome today is ancient Rome. So close. I am always conscious of that, and it thrills me. Imagine being in a traffic jam at the Coliseum! Rome is the most wonderful movie set in the world... As was the case with many of my film ideas, it was inspired by a dream.
People are using GPS systems to find millions of little hidden objects throughout the world - often as simple as a piece of Tupperware hidden in the woods. You go to a website, you get the latitude and longitude to get the specific location of a certain specific hiding space, and then you go there and see if you can find it.
If you walk into a coffee shop in 1903 Vienna, you might find at the same table the artist Gustav Klimt, Sigmund Freud, Leon Trotsky and possibly Adolf Hitler, who lived in Vienna at the same time.
Everywhere I went, Rapid Vienna or Austria Vienna, there was always a problem. I just wanted a coach who said: 'Just go out and win us the game.'
My job is to find the stories, find where to go, do the research, do the logistics, be there on location, and do as much as possible to get the footage that we need to make an incredible film.
You need some reason why Beethoven, Mozart and Haydn in the 18th century all flocked to Vienna. What was it about Vienna? They must have known on some level that that is where they would flourish. It's what biologists call "selective migration."
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