A Quote by Alice Roberts

But I think you can strip the emotion and the subjectivity away while you focus on doing the science - and that's really important. — © Alice Roberts
But I think you can strip the emotion and the subjectivity away while you focus on doing the science - and that's really important.
I want to really focus on doing this two things I really would like to focus on science and the excitement of science and to help with science. So, that's my intention to focus my efforts there and I hope I will be able to do so.
Negative thinking is subtle and deceptive. It wears many faces and hides behind the mask of excuses. It is important to strip away the mask and discover the real, root emotion.
While our sin reaches far, God's grace reaches farther. God came after us not to strip away our freedom but to strip away our slavery to self, that we could become truly free.
An emotion is only an emotion. It's just a small part of your whole being. You are much more than your emotion. An emotion comes, stays for a while, and goes away, just like a storm. If you're aware of that, you won't be afraid of your emotions.
When you sit down to write, you have to be prepared to strip all of those voices away, all of the censors away, and talk about what you think the truth is, which I think is really the task of the writer - to get to the truth.
But there was nothing I could do with the emotion really. It just went away after a while.
I wanted to be a scientist. My undergraduate degree is in biology, and I really did think I might go off and be some kind of a lady Darwin someplace. It turned out that I'm really awful at science and that I have no gift for actually doing science myself. But I'm very interested in others who practice science and in the stories of science.
Stan Lee always wanted to do another syndicated strip while we were doing Spider-Man. I was working two jobs, and he wanted to make time to do another strip. He wanted to do a humor strip. I said, 'Stan, I barely make it through the week now. How the hell am I going to do another strip?' He said, 'Oh, I'm sorry, I always forget it takes you longer to do a page than it takes me to do twenty pages.'
The two important facts I should say, are emotion, and then words arising from emotion. I don't think you can write in an emotionless way. If you attempt it, the result is artificial. I don't like that kind of writing. I think that if a poem is really great, you should think of it as having written itself despite the author. It should flow.
You may think I'm doing this without taking the time to really think it through, and you're absolutely right. It would take me the rest of my life to think this thing through. But it's while you're thinking, while you're weighing the pros and cons, that life goes on. It passes by you while you're doing nothing. - Arthur
The album requires a certain focus of mine that I can't really explain - let's just say it's all I can really do while I'm doing it.
I think that some of the best Crowes stuff we did had that spontaneous vibe. Thats something thats always interested me in music. Im not really the kind of person to get too bogged down in the details. I think that takes away from the emotion and the vibe of what youre doing.
You can do the best science in the world but unless emotion is involved it's not really very relevant. Conservation is based on emotion. It comes from the heart and one should never forget that.
A takeover or a player doing something wrong can take the focus away from what the most important thing is, which is to play football.
I was looking to do something non-fiction because I had done a strip, 'My Mom Was a Schizophrenic.' I really enjoyed the process of doing that strip, despite its subject matter. To do it I'd had to do a lot of research and reading and I figured I'd like to do that again.
For 'City of Ghosts,' I really didn't speak any Arabic. It obviously made it more difficult, but I also found it to be an advantage while shooting. It allowed me to focus on the emotion of the scene as opposed to just chasing dialogue.
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