A Quote by Alice Sebold

I think you only learn what kind of personality you have by committing to things. — © Alice Sebold
I think you only learn what kind of personality you have by committing to things.
I think it's my personality to overcome things, learn from them and become stronger, both personally and professionally.
Kids who are least impressive in my class are the ones who only listen to one kind of music. They only listen to country or only to rap or to gospel or anything. It's a sad thing. I try really hard to get them to go out and listen to things. It's amazing what you learn. ... I'm still trying to learn. It's not like I'm going to be a calypso singer. That's not going to happen, but I'm sure there's something in that, that I can learn from and apply to my own work.
I think it's really important to design things with a kind of personality.
The soul is that part of us that is immortal. It existed before the personality was born and it will exist after the personality is gone. The personality is an energy tool of the soul that is temporary. Through it we learn in this domain of the five senses. We learn through what we create and the impact that it has on us. This process is becoming conscious.
I think it's my personality to overcome things, learn from them and become stronger, both personally and professionally. To be honest, I welcome those hardships.
Love is wise; hatred is foolish. In this world, which is getting more and more closely interconnected, we have to learn to tolerate each other, we have to learn to put up with the fact that some people say things that we don't like. We can only live together in that way. But if we are to live together, and not die together, we must learn a kind of charity and a kind of tolerance, which is absolutely vital to the continuation of human life on this planet.
Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things.
Seems like the only kind of job an American can get these days is committing suicide in some way.
We've all heard that we have to learn from our mistakes, but I think it's more important to learn from successes. If you learn only from your mistakes, you are inclined to learn only errors.
If you deal with every customer in the same way, you will only close 25 to 30 percent of your contacts, because you will only close one personality type. But if you learn how to effectively work with all four personality types, you can conceivably close 100 percent of your contacts.
I kind of keep my personality in my pocket a lot. When I start to do stand-up, that's not my true personality either. It's the personality of a guy who hasn't been able to say what he wanted to say.
There's this belief that some things can be taken seriously in an intellectual way, while some things are only entertainment or only a commodity. Or there's some kind of critical consensus that some things are "good," and some things are garbage, throwaway culture. And I think the difference between them, in a lot of ways, is actually much less than people think. Especially when you get down to how they affect the audience.
I think hip-hop has changed. When I first came out, hip-hop was more of a kind of way to learn about new places, new things. What are kids doing on the East coast, what are kids doing here. Then it left that and is like a party mode. I think it's going back to people wanting to get messages and wanting to learn things from the music.
I don't really think I have the personality. I am not very external. I don't want to dance on the table and do impressions. So I think that the way I approach it is really loving story. That's my first love - the words. The words and the story and how to create images. I guess I come at that as a director. I think that's much more in my personality to be a director, so that's kind of informed my acting.
I'd prefer not to act in the film I'm directing. I think, though, as an actor, you do learn how to turn things on and off quickly and kind of compartmentalize. You learn to accommodate the camera and the other actors, to notice where the boom is and where you mark is, and be able to repeat something a few times.
When you learn to read and write, it opens up opportunities for you to learn so many other things. When you learn to read, you can then read to learn. And it's the same thing with coding. If you learn to code, you can code to learn. Now some of the things you can learn are sort of obvious. You learn more about how computers work.
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