A Quote by Alice Sebold
Tess was my first experience of a woman who had inhabited her weirdness, moved into the areas of herself that made her distinct from those around her, and learned how to display them proudly.
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Yet there were times when he did love her with all the kindness she demanded, and how was she to know what were those times? Alone she raged against his cheerfulness and put herself at the mercy of her own love and longed to be free of it because it made her less than he and dependent on him. But how could she be free of chains she had put upon herself? Her soul was all tempest. The dreams she had once had of her life were dead. She was in prison in the house. And yet who was her jailer except herself?
I found her lying on her stomach, her hind legs stretched out straight, and her front feet folded back under her chest. She had laid her head on his grave. I saw the trail where she had dragged herself through the leaves. The way she lay there, I thought she was alive. I called her name. She made no movement. With the last ounce of strength in her body, she had dragged herself to the grave of Old Dan.
She realized how many of her beliefs were either unrealistic or belonged to her deceased parents and her ex-husband. She also realized that her expectations for herself and others were sometimes too rigid. She was trying to live up to what everyone else said was best for her, which made her depressed and hard to be around at times. Once she changed her beliefs about herself and others, she began to smile more and enjoy life.
The extraordinary woman depends on the ordinary woman. It is only when we know what were the conditions of the average woman's life - the number of children, whether she had money of her own, if she had a room to herself, whether she had help bringing up her family, if she had servants, whether part of the housework was her task - it is only when we can measure the way of life and experience made possible to the ordinary woman that we can account for the success or failure of the extraordinary woman as a writer.
Her little fists pummeled at him, and he accepted the abuse. Until he realized she’d made an improper fist and was actually hurting herself. He wound an arm around her waist, spun her and slammed her into the hard line of his body to still her. “Let me go!” “In a minute.” As she struggled, he pulled her thumb out from beneath her fingers and rearranged her fist. “Hit like this.” Done, he released her.
Boxing? She's like a woman. If you've never wooed her, never won her, you always look back wondering what would have happened had you had her. If you caught her and had a long relationship, you don't really look back. Do I miss her? No, because I've had her, I've moved on.
Egypt.mother of civilization, dreaming herself through the centuries. Dreaming us all, her children: those who stay and work for her and complain of her, and those who leave and yearn for her and blame her with bitterness for driving them away.
She lay on her back and walked her fingers down her ribs, skipped them over her abdomen, and landed on her pelvic bones. She tapped them with her Knuckles. [. . .] I can hear my bones, she thought. Her fingers moved up from her pelvic bones to her waist. The elastic of her underpants barely touched the center of her abdomen. The bridge is almost finished, she thought. The elastic hung loosely around each thigh. More progress. She put her knees together and raised them in the air. No matter how tightly she pressed them together, her thighs did not touch.
It was so important that women were involved in 'She's Gotta Have It' because it's about a woman's opinion. It's about her views of herself, and the world around her, and how the world perceives her, and finding that ground for herself - not even a common ground, but that ground for herself in which she can walk on firmly with confidence.
He hadn’t been her first lover or the first boy to give her an orgasm. He hadn’t even been the first she’d loved. He’d been the first to turn her inside out with something as simple as a smile. The first to make her doubt herself. He’d taken her deeper than anyone ever had, and yet she hadn’t drowned.
It made Fire so angry, the thought of such a medicine, a violence done to herself to stop her from creating anything like herself. And what was the purpose of these eyes, this impossible face, the softness and the curves of this body, the strength of this mind; what was the point, if none of the men who desired her were to give her any babies, and all it ever brought her was grief? What was the purpose of a woman monster?
Perhaps I will die too, she told herself, and the thought did not seem so terrible to her. If she flung herself from the window, she could put an end to her suffering, and in the years to come the singers would write songs of her grief. Her body would lie on the stones below, broken and innocent, shaming all those who had betrayed her. Sansa went so far as to cross the bedchamber and throw open the shutters ... but then her courage left her, and she ran back to her bed, sobbing.
Marisa! Marisa!” The cry was torn from Lord Asriel, and with the snow leopard beside her, with a roaring in her ears, Lyra’s mother stood and found her footing and leapt with all her heart, to hurl herself against the angel and her daemon and her dying lover, and seize those beating wings, and bear them all down together into the abyss.
I bought Jayne Mansfield's mansion in L.A. after her death. I had met her in England and remembered her perfume. When I moved in, I could smell her, and I saw her apparition.
She wanted to be herself again, to recover all that she had been obliged to give up in half a century of servitude that had doubtless made her happy but which, once her husband was dead, did not leave her even the vestiges of her identity.
Ever had a woman say no to you, Dmitri?” “Once.” He turned the corner with a smile that made her want to cup his face, trace those beautiful lips with her own. “I married her.
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