A Quote by Alice Smith
I loved it. I just thought I wanted to stay in college forever. I came to New York all by myself; I didn't have any friends there. But it was fine. I felt comfortable. I started thinking, 'Maybe graduate school?' I was really cool with people who were smart, who knew stuff. It's very romantic and stimulating.
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Some friends of mine in the class ahead of me in college were auditioning for graduate school in New York, and then a few of them got into Juilliard, and it sort of opened my eyes. I didn't really know anything about it, but it opened my eyes to a possible next step after school, where I could just deepen my knowledge and also not be responsible for life and stay in school.
When I was a teenager I loved acting, but I really just loved it for myself. I didn't like the fact that anyone else saw the work I was doing. When I moved to New York, I started to realize that I wanted people to see the stuff that I was doing, and I wanted it to mean something to them.
My brother, who's a few years older then me, went to college in New York. He said all of these people from Saturday Night Live do improv together in Upright Citizens Brigade, and I thought, "Oh, that sounds really cool." So when I got braces and couldn't play music anymore, I said to my parents that I wanted to go to New York and take a class at that place. They were remarkably on board with it. I got on the train, went up, took a class and I loved it.
When I was 18, I was moving to New York to start college at The New School. I had done a year of college in Toronto and wasn't happy there. I didn't have any friends in New York City, but I applied and got in. It was pretty overwhelming, but everyone in New York is so ambitious and creative.
I didn't have any writer friends in college. I was a computer science major, but I was writing a lot, probably more than anybody I knew. I started to submit novels to New York when I was a freshman in college.
I went to graduate school with zero expectation. I kind of backed into it. I wanted to go back to school because I felt gaps in my literary background. I studied mostly twentieth-century English literature in college, so I thought, 'Maybe I'll go back for my writing.'
I was very smart in school. I had straight As and was going to graduate high school at 16 and start college. My dad wanted me to be a lawyer because I was very opinionated.
I felt really comfortable [on The Maze Runner]. From day one, I loved the script and the story, and I thought it could be something really cool and interesting and original, in this generation of regurgitated projects and sequels and stuff, so I'm proud to be part of it.
I came to New York for school, and then I did this amazing show that was received very well, with a great group of people, and I felt like I was creating something that I was really proud of, and then 'Hamilton' was my next big thing in New York.
I felt excited to go to school, and that scared me. I knew it wasn't the simulating learning environment I was anticipating, or seeing my new set of friends. If I was being honest with myself, I knew I was eager to get to school because I would see Edward Culllen. And that was very, very stupid.
I remember passing through New York in college and thinking, 'I'm going to come back here.' The energy just made me think of Europe - everyone walking, seeing the delis and flowers outside. It just felt very familiar. I loved it right away.
When I first came to New York, in the '70s, artists were certainly divided about the Andy Warhol persona, and about the work. I thought it was utterly cool - I thought the Factory was utterly glamorous - but there were a lot of artists I really admired and respected who were older that kind of dismissed it, couldn't get it, and felt that there was a lack of seriousness about it.
I remember passing through New York in college and thinking, Im going to come back here. The energy just made me think of Europe - everyone walking, seeing the delis and flowers outside. It just felt very familiar. I loved it right away.
By the time I started high school, I knew I wanted to be a writer. After graduating from Smith College in Massachusetts, I moved to New York City and worked for the advertising agency J. Walter Thompson.
I just always liked the company. The people who hung around her were amazing storytellers, whether it was actors or crew. They were just exciting people. And I knew that they were different when I would go see a friend or stay at someone else's house. It just wasn't as cool. So I always loved the theater, and that's where I started: at a theater up in Canada.
I graduated college in 2010, I thought I'd go to grad school then and I was accepted under a different program and I ended up moving away and pursuing fighting instead of graduate school, but I knew I always wanted to do it.
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