A Quote by Alice Temperley
Lingerie is my next love after clothing; I think it is what is worn underneath that really inspires a woman to feel beautiful in her clothes - that inner, secret glamour.
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Lingerie is that inner, secret glamour.
I think it's really hard to find a good women's magazine, and I like that Glamour is way more about what you want and not what your man wants. I don't really know what it's like to be a woman yet, so I wouldn't have too much insight, but I guess it would be a bit interesting to have more of that granny style in there. Because I think it should be easier for women to feel like they don't have to be conventionally attractive or think of flattering clothing before they think of fun clothing.
Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.
Diane Keaton, I've worked with her as a director, and I think she's a really intelligent woman. I like the fact that the things that make her feel beautiful are more than just her face; it's who she is, and I live by that same theory. There are things I want to achieve in my life intellectually that make me feel beautiful.
I think I feel most sexy when I have a matching lingerie set underneath what I'm wearing. I know what's going on and no one else does.
Each woman needs to know herself and think that the clothes are here to make her more beautiful, because the person is more important than the clothes.
Gene told me the next day that I got it wrong. But he was not in a taxi, after an evening of total sensory overload, with the most beautiful woman in the world. I believed I did well. I detected the trick question. I wanted Rosie to like me, and I remembered her passionate statement about men treating women as objects. She was testing to see if I saw her as an object or as a person. Obviously the correct answer was the latter. ‘I haven’t really noticed,’ I told the most beautiful woman in the world.
To be beautiful lips - say kind words. To my eyes were beautiful - radiate good. A woman's beauty is not in the clothes, not in its shape or hairstyle. Beauty woman in her eyes, because the eyes - is the gateway to the heart, where love lives.
I think there’s a lot of threshold weeping. Like, am I doing this? Am I really wearing this out in the world? My daughter is very much like that. She will put clothes on and her clothes just make her beside herself. They make her so sad sometimes. And you do realize you feel betrayed sometimes by your own clothing. You put something on that usually protects you and makes you OK, and sometimes you’re just not fit for the world and even your best pants can’t overcome that feeling for you.
One frequently only finds out how really beautiful a beautiful woman is after considerable acquaintance with her.
I think I'm just really in love with women, and I love to see them looking incredibly, truly beautiful. I think every time a woman wears one of my dresses, you know, in a matter of speaking, I'm having a little love affair with her!
Go out there and try on everything - short skirts, long skirts, mid length, little jackets, men's clothing - and really look at yourself; really walk around in the clothes. Don't just take someone else's advice. You must feel you in these clothes and feel what it's like to live in them.
One frequently only finds out how really beautiful a really beautiful woman is after considerable acquaintance with her; and the rule applies to Niagara Falls, to majestic mountains, and to mosques-especially to mosques.
Color fills her cheeks, and I think it again: that Johanna Reyes might still be beautiful. Except now I think that she isn't just beautiful in spite of the scar, she's somehow beautiful with it, like Lynn with her buzzed hair, like Tobias with the memories of his father's cruelty that he wears like armor, like my mother in her plain gray clothing.
After all, a beautiful woman without a mind of her own leaves her lover with no resource after he had physically enjoyed her charms.
And I ask myself what it is about me that makes this wonderful, beautiful woman return. Is it because I'm pathetic, helpless in my current state, completely dependent on her? Or is it my sense of humour, my willingness to tease her, to joke my way into painful, secret places? Do I help her understand herself? Do I make her happy? Do I do something for her that her husband and son can't do? Has she fallen in love with me? As the days pass and I continue to heal, my body knitting itself back together, I begin to allow myself to think that she has.
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