A Quote by Alice Walker
Critics don't really affect the fact that we live in this paradise and what the meaning of that [is]. And what luck to have this!
Related Quotes
To lose sensibility, to see what one sees,
As if sight had not its own miraculous thrift,
To hear only what one hears, one meaning alone,
As if the paradise of meaning ceased
To be paradise, it is this to be destitute.
Santa Barbara is a paradise; Disneyland is a paradise; the U.S. is a paradise. Paradise is just paradise. Mournful, monotonous, and superficial though it may be, it is paradise. There is no other.
It's not about having luck; it's about putting yourself in a position of luck. Meaning, get into a situation where you are with like-minded people who are just as passionate about something as you are, and then work really, really hard.
Critics have to sit through an awful lot of rubbish, and you feel really sorry for them. In fact, I've been in a play where I felt sorry for the critics.
A fact was the hard outer cover of meaning, and meaning was the soft living stuff inside a fact. Fact and meaning were the driving cogs of living. If the gear of fact drove the gear of meaning, then they revolved in opposite directions, but put the gear of fantasy between the two and they both revolved in the same direction. Fantasy was and is important; it leads to heaven knows where, but follow it and see. Sometimes it pays off.
The variant readings about which any doubt remains among textual critics of the New Testament affect no material question of historic fact or of Christian faith and practice
So it sort of dawned on me that you have to build into your work the fact that it's going to be shown in different kinds of places and different kinds of light. And the fact that the surroundings and where you're going to be shown is always changing, so that should really not affect the meaning of the work. It should be part of what the work is about.
You can't live in paradise—but you are living right here. Make this your paradise or make this your hell. The choice is entirely yours. Really.
I don't really give in to the critics because critics are always going to criticize, and what have they done? A person who has never done nothing can't really care nothing about doing something. So as far as the critics, I don't care what they think. I don't have time to give to critics.
To hope for Paradise is to live in Paradise, a very different thing from actually getting there.
We were created in order to live in Paradise, and Paradise was ordained to serve us.
What was ordained for us has been changed; it is not said
that this has also happened with what was ordained for Paradise.
My story is really an affirmation of my strength and my luck. To live with a great artist like Ted Hughes or Mick Jagger is a very, very destructive role for a woman trying to be herself. In fact, it can't be done.
I can be upset by malice. Most critics are very poor poets. Poetry is a craft that takes a lot to appreciate, and there are some critics who have no ear for it. An irresponsible critic can do a lot of psychic damage, but eventually, they don't affect your work.
The house ghost is usually a harmless and well-meaning creature. It is put up with as long as possible. It brings good luck to those who live with it.
I don't really care about the critics or when people talk good about me. It can't affect you. I'm one to trust myself and to look for more.
Expulsion from Paradise is in its main aspect eternal: that is to say, although expulsion from Paradise is final, and life in theworld unavoidable, the eternity of the process (or, expressed in temporal terms, the eternal repetition of the process) nevertheless makes it possible not only that we might remain in Paradise permanently, but that we may in fact be there permanently, no matter whether we know it here or not.
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