A Quote by Alice Winocour

It's the doubt that is really a major ingredient of the paranoid thriller. — © Alice Winocour
It's the doubt that is really a major ingredient of the paranoid thriller.
There is a major ingredient missing from our perception of how changes are brought about; that ingredient is power.
I love thrillers. I've never made them, but I would say a really good thriller is my favorite kind of a movie. If I can get a really great thriller, you know.
He was one of the masters of the thriller and he really was one of the great signposts, because he took the spy thriller out of the gentility of the drawing room and into the back streets of Istanbul and where it all really happened, ... The Day of the Jackal.
My first book is really about heat. That book, for me, was an exploration of heat as ingredient. Why we don't talk about heat as an ingredient, I don't quite understand, because it is the common ingredient to all cooking processes.
Like belief, doubt takes a lot of different forms, from ancient Skepticism to modern scientific empiricism, from doubt in many gods to doubt in one God, to doubt that recreates and enlivens faith and doubt that is really disbelief.
As soon as we ask what faith is and what sort of mistreatment of faith causes doubt, we are led to the first major misconception about doubt-the idea that doubt is always wrong because it is the opposite of faith and the same thing as unbelief. What this error leads to is a view of faith that is unrealistic and a view of doubt that is unfair.
The major ingredient of any recipe for fear is the unknown.
I can't think of anyone I admire who isn't fuelled by self-doubt. It's an essential ingredient. It's the grit in the oyster.
One of the most important things for me in terms of my working method is doubt. I get very insecure about my ideas. And I don't say 'insecure' in kind of a paranoid way. I mean just: 'Are they good enough?' 'Is this the right thing to do?' I really beat myself up over that.
I'm often asked the same question: What in your work comes from your own culture? As if I have a recipe and I can actually isolate the Arab ingredient, the woman ingredient, the Palestinian ingredient. People often expect tidy definitions of otherness, as if identity is something fixed and easily definable.
I would love to do something in the thriller category. Not so much horror, but I would love to do a full-on psychological thriller. That would be really interesting. A period piece would also be fantastic.
The first time I flew after September 11, I honestly was a little paranoid. As I was going to the metal detector, I was looking at my duffel bag, and I'm like, 'Do I have anything that's like a weapon?' I was really paranoid they were gonna find something sharp, and I was gonna get in trouble.
Humans are evolutionarily designed to be paranoid, and they believe in God because they are paranoid.
Paranoid? Probably. But just because you're paranoid doesn't mean there isn't an invisible demon about to eat your face.
There are two worldviews in thriller writing: the paranoid view, like Chuck Logan's, that everything is inside a large clockwork. I like those books; they're intricate and thought out, but my view is that everything is chaotic and stupid. Chaos reigns, and civilized people do what they can to hold it back.
Well, if you're writing a thriller, you have to have your character in mortal jeopardy on page 1 or it's not a thriller.
This site uses cookies to ensure you get the best experience. More info...
Got it!