A Quote by Alicia Garza
It's not lost on me that every single person who told their story about Harvey Weinstein talked about how they were silenced, how they were encouraged not to speak up, how they were embarrassed or ashamed to speak up.
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When I was a teacher, I definitely noticed bullying happening, and I noticed people choosing to be quiet when they should speak up. And so for me, as a teacher, it wasn't just about advocating for students who were being picked on but trying to teach the bystanders how to speak up and not be afraid.
Historically, women's voices were central to food narratives, yet they were marginalized, and what happened at the table, the kitchen, the garden, and the fields was silenced. I'm very interested in how food appears in the historical record and animates our understanding of the South. It provides texture both to the past and to our contemporary experience. My work is not about discovering new voices, but rather it encourages voices that have been silenced to come forward and speak a little louder.
For the first case I did with Octone, 360 deals were not at all being talked about. And then for the follow-up case, it was the focus. I wanted to see how things were changing and what the new challenges were.
I was a young feminist in the '70s. Feminism saved my life. It gave me a life. But I saw how so much of what people were saying was not matching up with what they were doing. For example, we were talking about sister solidarity, and women were putting each other down. We were talking about standing up for our rights, and women weren't leaving abusive relationships with men. There were just so many disconnects.
I was afraid people wouldn't take me seriously, or would stop respecting me, if I talked about how bad I was feeling. The only people I talked openly about it with was my business partner, Dave Jilk, and my girlfriend - now wife - Amy Batchelor. They were amazingly supportive, but even then, I was deeply ashamed about my weaknesses.
Teachers wondered why I didn't speak up more in class. Why would I when I knew how precarious words could be, how betraying they were, how vulnerable they made you?
People were standing up everywhere shouting, "This is me! This is me!" Every time you looked at them they stood up and told you who they were, and the truth of it was that they had no more idea who or what they were than he had. They believed their flashing signs, too. They ought to be standing up and shouting, "This isn't me! This isn't me!" They would if they had any decency. "This isn't me!" Then you might know how to proceed through the flashing bullshit of this world.
Love made us partners in narcissism, and we talked ceaselessly about how close we were, how perfect our connection was, like we were the first people in history to ever get it exactly right.
When we were growing up and saw a Ray Harryhausen movie, we were interested in how it was done. But thank God we got to go through the magic of seeing it before we knew how it was done. You were able to get this beautiful, pure, visceral response to something without knowing too much about it.
When we were first offered a book deal prior to Avon's, they were trying to get us to change it from the first-person story into a how-to book, and they were offering us some decent money. My agent told me; 'you should really consider this'.
Will Bridges, who is the co-creator with me, when we were working on 'SuperBob,' we were just talking about how we like to write about relationships. And we were talking about what love is. We were in very different stages; he was married and was about to have his first child, and I was kind of dating the wrong people.
My dad used to open up photo albums and stuff and you'd have to tell a story about the picture but you couldn't tell the truth so you had to make up a story about whatever you were looking at. He really taught us how to lie.
One of my favorite things about the DC Universe, growing up as a reader, was just how big it was and just how many characters and superheroes there were. And how many odd characters there were.
It's not my story anymore: whenever I speak about the past now, I feel as if I were talking about something that has nothing to do with me. All that remains in the present are the voice, the presence, and the importance of fulfilling my mission. I don't regret difficulties I experienced; I think they helped me to become the person I am today, I feel the way a warrior must feel after years of training; he doesn't remember the details of everything he learned, but he knows how to strike when the time is right.
We really wanted to know all the unknowable things about each other and how we were the same and how we were different, if we even were, maybe nobody is.
I grew up in the South, in New Orleans, where guys torture you all the time. So I didn't really grow up on the self-esteem campaign. When you were lousy at something, they told you you were lousy, and they told you how to fix it.
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