A Quote by Alicia Keys
When I'm on stage, my interaction with the audience is something that really makes me come alive. It's a feeling like no other. The energy of the crowd fuels something new inside.
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When I'm on stage, my interaction with the audience is something that really makes me come alive. It's a feeling like no other. The energy of the crowd fuels something new inside. It reminds me to live in the moment.
The energy of the crowd fuels something new inside. It reminds me to live in the moment.
I tend to like the heavier things, especially live on stage. I need that energy and interaction and feeling the audience.
When people come to see me, they'll see what they know me for. Hits from the past, but I always mix in a little something new. New stuff. Old stuff. It creates a great show. There's a lot of crowd participation. A lot of interaction and energy. That's what I do best.
I've come to the conclusion that athletes, when they say they miss the crowd, are not missing the sound of the crowd. What they're missing is the feeling inside that makes the crowd roar. It's not the roar of the crowd, it's the silence inside.
I love performing in New York. Just something about the energy that the crowd gives you, you give it back, a lot of interaction.
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
The spirit of the drum is something that you feel but cannot put your hands on,
It does something to you from the inside out . . .
It hits people in so many different ways.
But the feeling is one that is satisfying and joyful.
It is a feeling that makes you say to yourself, '
I'm glad to be alive today! I'm glad to be part of this world!
There are some actors who come alive in front of a crowd, and if you've cast it right, there's an energy between cast and audience that can be exhilarating for both parties, then enjoyed by the audience at home.
I like working on stage because there's something very immediate about it, that interaction with an audience where you immediately hear their reaction, or feel them, whether they're with you.
That's what's gonna make me come up with new stuff, if you get a good break or a good beat, you get a certain energy, and you wanna release that energy. Freezes to me are like releasing a certain energy. That's me releasing energy that beat gives me, to come up with certain things. A good beat, a rare break, a dope song that I've never really breaked to before will give me a new feeling, a new movement.
On stage I'm slightly nervous than when I'm in front of camera. Because when on the stage, the mind can't waiver but at the same time, the energy to be on the stage makes me feel alive.
Immediate gratification of a live audience makes me come alive. I miss performing in theater. I'll make my return to the stage eventually.
Working with different people and do things that normally I would not do makes the music interesting for me to continue. It keeps me alive. When I'm doing something alone, that is mine, I know how it is. But when I'm working with someone else, I also see the view from the other, and usually learn something new, try something different. This is very important to my happiness.
I feel like my soul yearns to experience something new at all times. That may be an encounter with a new place or persons or a song that plays and urges me to dance in a different way. I come alive when there is a chance to learn or do something different.
I feel like I've been very blessed in the sense that I've had the veracity of spirit to not be stopped and, at the same time, the protective energy and the generosity of those who have come before me, who saw something inside of me and, therefore, invited me into rooms that I would not have been inside of otherwise.
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