A Quote by Alicia Silverstone
What I learned from doing The Graduate was it doesnt matter what the medium is... as long as the material is inspiring and the characters are well written.
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What I learned from doing 'The Graduate' was it doesn't matter what the medium is... as long as the material is inspiring and the characters are well written.
When you're doing something where you really like the material, it doesn't matter what medium it's in.
Playing dysfunctional characters or crazy characters is only fun if they're well written. So I have been lucky enough to be asked to play crazy people who are very well written.
When the material written is very good then half of your work is done by the writer itself. When there's a well-defined character written, then the attempt is to be as honest to the material as possible.
If you trust that the people making the show love the source material and the characters, and it's a different medium and there are different requirements for long-form storytelling that will hopefully carry over a number of seasons, then it's exciting.
It doesnt matter who is playing or how old they are. I just worry about what I can control. It doesnt give me more or less motivation.
I've written original material before, where I've come up with the idea and the characters myself, and that's definitely very different to working with someone else's characters and stories.
If the material is inspiring and motivates you, then it doesn't really matter what it is.
Well-written plays deserve to be learned from and understood properly, both by actors and audiences alike, and Rattigan's very human characters help us do that.
For me, if the writing and - by extension - the subject matter and the characters are all good, it doesn't matter if it's film or TV. Each medium has great things going for it.
I understand pain very well, so I look for that in a role. If the characters are well-written, don't tell nobody, but I'll do the damn thing for free. I'm serious. It's the writing. I love beautifully flawed characters.
In TV, I did scripts that were not well-written, and I learned how to make bad material okay. That's a hard thing to do; you can learn bad habits, but you can also learn to find something in anything.
You can always find ways to make it different, as long as it's a really well-written script and well-written character.
When script is written well, then you start to make decisions of, "Well, do I want to be away from home for that long? Do I like the people involved?" When it's written well, a lot of those things go away and you can't not do it.
They say an elephant never forgets. Well, you are not an elephant. Take notes, constantly. Save interesting thoughts, quotations, films, technologies... the medium doesn't matter, so long as it inspires you.
The script of 'Hum Paanch' was extremely powerful, written by Imtiaz Patel. He has written the characters so well, people got hooked with each of them.
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