A Quote by Alicia Vikander
I am very fortunate to work with people I have seen on the screen so many times and admired, and they are in the public eye, and I have seen how they handle it. There are definitely ways to just keep on enjoying the profession and the work. Other people tell me that things are going to change.
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In the Middle East, we have people chopping the heads off Christians, we have people chopping the heads off many other people. We have things that we have never seen before - as a group, we have never seen before, what's happening right now.The medieval times - I mean, we studied medieval times - not since medieval times have people seen what's going on. I would bring back waterboarding and I'd bring back a hell of a lot worse than waterboarding.
When people come back from war and combat and they see things that maybe a lot of the folks in this room have seen many times over, and you're strong and you can handle it, but a lot of people can't handle it.
I focus on projects I am passionate about and only work with people I respect. Without these supportive teams, partners and clients, I could never work on so many things. I am fortunate that they see the value in the multiplicity of my work and how it all comes together in a kind of virtuous cycle.
My dream was to not work for anyone. There's only so many things I was good at - and how am I not going to work for anyone? I just don't want people telling me what to do.
I think that these are different times, and different things are available to artists, and certain things have become passé. You've already seen the outcome of a lot of things that seemed to have a lot of potential. We've already heard that, and I can't tell you if it made a difference or not. But we already know that artists can do that, and they shouldn't feel threatened by doing it. They're probably not going to change the world. They're going to change a few people's perspectives and maybe make somebody's day at times, if they can.
They've seen me make decisions, they've seen me under trying times, they've seen me weep, they've seen me laugh, they've seen me hug. And they know who I am, and I believe they're comfortable with the fact that they know I'm not going to shift principles or shift positions based upon polls and focus groups.
Any actor wants their movies and their work to be seen. You don't make a movie or get into this profession for your work not to be seen and just to show them to your mates at home.
I don't feel like my work is impersonal - it is, in many ways, a reflection upon me - but that's ultimately not the point. I'd rather each piece be seen as part of a larger experience, and that each installation be approached as a point of departure. As open as I am trying to keep things in my practice, I want the audience's experience to be as well. That's what keeps things existing.
I cannot tell you how many times guides have said to me, "Please tell them to stop praying to me. I can't make things happen. I can't protect them from going through challenging experiences. These are experiences their soul has chosen to go through. I'm here to keep them on their path, but I don't want them to give me all this attention or power or focus." Realistically, the guides I work with are really encouraging people to find their inner voice.
I've worked with a ginormous number of people over the years. What happens when you've been around for a while, when you run into people whose work you've seen and liked and they have seen and liked your work, there's a sense of you kind of know each other even though you don't.
One of the things that I have seen change that warms the cockles of my heart is what is happening in the cosmetics industry. For years, they were doing horrible things to animals in the manufacture of cosmetics, and testing of the most barbaric types; today, if you go into a drugstore and go down the [cosmetics] aisle, look at how many of them say no animal testing. I've talked with people who work in the cosmetics departments, and they tell me, Without that, you can't sell them. And that's wonderful!
I think one of the reasons younger people don't like older films, films made say before the '60s, is that they've never seen them on a big screen, ever. If you don't see a film on a big screen, you haven't really seen it. You've seen a version of it, but you haven't seen it. That's my feeling, but I'm old-fashioned.
Being in the profession of acting, we would like our work to be watched by people. That's the reason why we work and if it is not seen, it is upsetting.
When you talk about the mental health problems, when people come back from war and combat and they see things that maybe a lot of the folks in this room have seen many times over and you're strong and you can handle it. But a lot of people can't handle it. And they see horror stories. They see events that you couldn't see in a movie, nobody would believe it.
People say people who spend too many years in prison don't know how to act when they get free. I don't know how I am going to act, how I am going to kill time, once I am not a fighter. Retirement scares me, and I have to think about how I am going to handle it.
People at my level [Unilever CEO] shouldn't be motivated by salary. If you paid me double, I'm not going to work twice as much, because I'm already probably maximizing my time available. And would it change the way I do things? Not really. So, yes, I am fortunate, and I am ashamed about the amount of money I earn.
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