A Quote by Alicia Vikander
I endured quite a few injuries when I was younger and had my first surgery on my foot when I was 15. But I love dancing. 'Anna Karenina' was great for me as it meant I could combine the two and I actually went back and did some classes.
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Love. The reason I dislike that word is that it means too much for me, far more than you can understand." - Anna Karenina {Anna Karenina}
There's this certain caliber of dancing I was striving for when I was younger, and it's very hard for me to go back and just do it for fun. But I take all other kinds of classes: I take jazz classes, modern classes, and I love doing that instead of going to the gym. The gym is not very much fun.
I remember the original injury happening in 1993, when I first was in WCW, and I've had a few neck injuries since, but with no pain. There was some pain, here and there, but not much. Eventually, it turned into a major problem, with my legs not moving well, so I had to have surgery done.
I have a trainer, and I'm not a trainer person. I don't like the attention. I don't like the one-on-one scrutiny. But I've had to enter into a very sort of rigorous rehabilitation program to avoid surgery on my back. I've already had four surgeries on my feet and two on my knee - all from Broadway dancing injuries. On Broadway, they don't really rehab the dancers like they do in sports. It's, "The show must go on" .
I never had problems with injuries as a kid or in the youth team. My injuries started at Chelsea, when I broke my foot during a pre-season game. That was just pure bad luck, but after that, I had some muscular injuries, too, so I had to get to know my body better.
I'm so bad at dancing that I've actually been in two movies where the director of the film saw me dancing and thought it was so funny that in one movie they had me do it as the mental dancing of a real simple person. The other one was, like, to-be-laughed-at dancing. That's how bad my dancing is.
When I left WWE, I had surgery on my foot. I had drop foot, where my foot was totally paralyzed. I had a tendon transfer and got nine screws in my foot.
Tolstoy didn't know about steampunk or cyborgs, but he did know about the nightmarishness of steam power, unruly machines, and the creepy half-human status of the Russian peasant classes. In 'Anna Karenina,' nineteenth-century life itself is a relentless, relentlessly modern machine, flattening those who oppose it.
When I got into "Anna Karenina" and "Brothers Karamazov" and "Crime and Punishment," that was the stuff that - that had a big effect on me, because it was so psychological.
I was in ballet classes, I took singing lessons, I started taking acting classes as a hobby. When I was younger, I had my mind set on dancing or singing.
The book that made me decide to go into Russian literature was 'Anna Karenina,' which I first read in high school. The thing that appealed to me and constituted its Russianness for me was that it was simultaneously incredibly funny and sad.
Mum got me involved in every activity under the sun - singing, dancing and drama classes at the Anna Scher theatre school.
My story wasn't one of those cliched stories of being an ugly duckling, I had a pretty good time at school. But then I think being six foot by the age of 15 meant that I couldn't help but be noticed, and that was when my physical being felt quite painful - I could not any longer walk into a room without being noticed.
People have quite a simple idea about 'Anna Karenina.' They feel that the novel is entirely about a young married woman who falls in love with a cavalry officer and leaves her husband after much agony, and pays the price for that.
Some of the people I've met in those first few weeks of even trying improv classes are still my friends now - 15, 17 years later.
'Anna Karenina' is just a story about a woman falling in love with a bloke who is not her husband. It's gossip, rubbish - on the other hand, it's the deepest story there could be about social transgression, about love, betrayal, duty, children.
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