A Quote by Alicia Witt

I like to play any character that allows me the freedom to explore it and teach the audience something they didn't know, and show them a journey they identify with... or be inspired, or moved. Anything that touches someone's heart is important for me.
It's so much better for me to do a talk show. You still have that energy of the audience, and the audience is just as important as that guest that's sitting next to me. It's not about me and that guest exchanging energy and talking. It's about everything that's going on in that room, and they're as much a part of the show as anything. I like this better than anything I've ever done.
God, teach me to be patient, teach me to go slow, Teach me how to wait on You when my way I do not know. Teach me sweet forbearance when things do not go right So I remain unruffled when others grow uptight. Teach me how to quiet my racing, rising heart So I might hear the answer You are trying to impart. Teach me to let go, dear God, and pray undisturbed until My heart is filled with inner peace and I learn to know your will.
You're not free unless you can show the good and the bad, all sides of them. So to me, when I play a character, it's important that I can show every aspect of them.
I've been making a list of the things they don't teach you at school. They don't teach you how to love somebody. They don't teach you how to be famous. They don't teach you how to be rich or how to be poor. They don't teach you how to walk away from someone you don't love any longer. They don't teach you how to know what's going on in someone else's mind. They don't teach you what to say to someone who's dying. They don't teach you anything worth knowing.
I think it's necessary to identify with anything - with any character you play, there's got to be something in common, so you can link up to that person, even if it's like one tiny thing. But it's equally fun to play somebody completely different, and trying to find what that thing is to make it.
And if there's anything movies can do in a way that I just love, and I love as an audience is, 'Show me something I don't know about. Show me something I haven't seen.'
And if there's anything movies can do in a way that I just love, and I love as an audience is, "Show me something I don't know about. Show me something I haven't seen."
So when this opportunity came up through Elisabeth Murdoch and her company Shine, to be an executive producer and actually be part of the show, I liked the idea because I like the word mentor. I don't want to judge someone. I like sharing my knowledge with my girls, and anything they ask me I'll try to do to help them. Any of my real friends who know me, know that's how I really am.
If my performance touches someone or helps someone understand themselves a little better or gives them a laugh, I feel like I gave them something. I want to touch people's lives and bring them along with me.
Dear God, Please teach me to forgive myself and others. Remove the walls that keep love out, behind which I am a prisoner. Heal my guilt and remove my anger, that I might be reborn. Make gentle my heart and strong my spirit and show me how to love. Please show me how to honor myself. Please teach me how to listen to myself. "Please program my mind to know itself, that I might at last be free. Teach me to appreciate your spirit that lives within me. Show me how to be good to myself, that I might know more fully the goodness of life. Amen
There will always be people that will have assumptions about you, about my character, my personality, or that I might put on a show of being gay or something, or that I play up stereotypes or anything like that. It's always funny to me that those people are typically the people that know me the least.
Give me ... a compassionate heart, quickly moved to grieve for the woes of others and to active pity for them, even as our Lord Jesus Christ beheld our poverty and hasted to help us. Give me grace ever to alleviate the crosses and difficulties of those around me, and never to add to them; teach me to be a consoler in sorrow, to take thought for the stranger, the widow, and the orphan; let my charity show itself not in words only but in deed and truth.
If someone is misrepresenting my playing career, I try to correct them. If they say something mean about me I'll let them know it hurts my feelings. But I've noticed that the best thing for me is to show love back to them and show positivity and by doing that you gain a fan.
Someone once told me you don't know about cancer until it touches you. That's when it touched my brother, Mickey. There's nothing like it. When it touches you, it's overwhelming.
A character does seem to have a life of its own, but I have what I'd describe as a very fluid relationship with them - as I'm thinking of what they will be like, they shift in and out of focus - they are a projection of some idea inside of me, even if a character is inspired by an actual person, I'm well aware that it is not that person. My job is to identify the essence of the character, and to bring them to life long enough to commit the acts, say the words or simply "be" in a way that allows them to affect and be affected by other elements and events in the imaginary world of a story.
I love David's prayer, "Search me, God, and know my heart..." [Psalm 139:23]. I prayed that a lot. "God, search my heart and my life, reveal to me any areas of my life that you want me to see, any identities you want to show me, and help me dare to believe that your grace has erased them once and for all."
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