A Quote by Alison Bechdel

The satiric ethos of Mad was a much bigger childhood influence. — © Alison Bechdel
The satiric ethos of Mad was a much bigger childhood influence.
It was such an idyllic time when I grew up in Hong Kong. It was a British colony and very much geared towards buying the best of Britain. My childhood does have a huge influence on how we design. There must be a little bit of that nostalgia - childhood is so special.
Photography and movies are a much bigger influence on me than music is itself.
Homosexuality is a cause, much like a religion. What is the philosophy behind gay pride parades? The same philosophy that there is behind Muslim demonstrations! Show of force and promotion of the ethos! Homosexuals promote their lifestyle much like religionists promote their religion. I suppose they realize that the bigger is their number, the more political clout they can wield.
All my life, people have asked me what I was so mad about. 'Why you so mad?' And I was never mad. I'm not mad, I just look mad.
I think once you get it in your head, that you're not going to do anything bigger, you just do things that you enjoy, which has always been my ethos anyway.
I try to give as much blanket forgiveness as much as possible in my life because that's the only way you can get past things and move forward. But, conversely, I'd like to be forgiven. In many ways, that's the bigger leap, the bigger transformation and the bigger step forward.
People think our work is monumental because it's art, but human beings do much bigger things: they build giant airports, highways for thousands of miles, much, much bigger than what we create.
Economic systems work better when there's an extreme reliability ethos. And the traditional way to get a reliability ethos, at least in past generations in America, was through religion. The religions instilled guilt. ... And this guilt, derived from religion, has been a huge driver of a reliability ethos, which has been very helpful to economic outcomes for man.
I'm curious about other universes, and nonhuman elementals. For me it's still a very lively ethos. It's a kind of practice. It's an ethos that is very sustaining.
I was a very young mod. The older mods at school used to like me because I brought in a copy of Mad magazine every week and let them read it. I think Mad magazine is the biggest influence in my life. At the age of ten, I decided I was going to have a band, one of the best in the country.
The unsparing savagery of stories like “The Robber Bridegroom” is a sharp reminder that fairy tales belong to the childhood of culture as much as to the culture of childhood... They capture anxieties and fantasies that have deep roots in childhood experience.
The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved.
I think the one thing that I've experienced with American films is just that the size tends to be so much bigger, the budgets have been bigger, the size of the sets have been bigger, the number of people working on them is bigger, but that's not to say that I haven't been able to get close to people or develop good relationships.
I'm sure I've all but lost friends by maintaining that, despite their love for it, I always saw Stanley Kramer's 'It's a Mad, Mad, Mad, Mad World' as more of an exercise in anti-comedy than humor.
God has called us to SHINE, just as much as Daniel was sent into Babylon to shine. Let no one say that he cannot shine because he has not so much influence as some others may have. What God wants YOU to do is to use the influence YOU have. Daniel probably did not have much influence down in Babylon at first, but God soon gave him more because he was FAITHFUL and used what he had.
I'm pretty mad at horror films for ruining my childhood.
This site uses cookies to ensure you get the best experience. More info...
Got it!