A Quote by Alison Bechdel
I just met someone who read Gone With the Wind 62 times for exactly that same reason. She couldn't bear that it wasn't real. She wanted to live in it.
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Now that she decided she knew exactly what she wanted –him- she couldn’t wait to break the news. And if he didn’t want her, she could live with that – what she wouldn’t be able to live with was if she never told him.
My grandmother. She's someone I never met, and I would've loved to have met her. She's been a huge influence on our entire family, not just me. She is a mystery. It's not clear exactly what about her is truth and myth.
Holly smiled weakly. Gerry would know exactly how she was feeling, he would know exactly what to say and he would know exactly what to do. He would give her one of his famous hugs and all her problems would melt away. She grabbed a pillow from her bed and hugged it tight. She couldn't remember the last time she hugged someone, really hugged someone. And the depressing thing was that she couldn't imagine ever embracing anyone the same way again.
I am standing on the seashore. A ship spreads her white sails to the morning breeze and starts for the ocean. I stand watching her until she fades on the horizon, and someone at my side says, She is gone. Gone where? The loss of sight is in me, not in her. Just at the moment when someone says, She is gone, there are others who are watching her coming. Other voices take up the glad shout, Here she comes! That is dying.
There's really quite a beautiful marriage between Milady's ingenuity and D'Artagnan's immaturity. When they first meet, she's trying to frame him. She's using him for a certain reason. They haven't just met by coincidence. She's singled him out for a reason. She knows that she can almost make D'Artagnan do what she wants to, and that's when D'Artagnan's immaturity comes out.
As ugly an admission as this is, I met my wife at a party, and if I had been to the same party and she were dressed in different clothes, I might never have talked to her. She might have projected something that I found distasteful, even if she otherwise looked exactly the same - a beautiful woman to me.
She suddenly understood why she had let him kiss her in the diner, why she had wanted him at all. She wanted to control him. He was every arrogant boyfriend that had treated her mother badly. He was every boy that told her she was too freaky, who had laughed at her, or just wanted her to shut up and make out. He was a thousand times less real than Roiben.
She dumped me for the worst reason of all. For absolutely no reason at all...I mean, if she fell in love with someone else, or I did something wrong, or I let her down in some unforgivable way...That, I'd understand, right? But instead, she said...it wasn't anything. Not a single thing. It was just me. I was nice. I was kind. We just...she didn't see the connection anymore. I think she thought I was boring. And the cruelest part is, when someone says something mean about you, you know when they're right.
I wanted to create a heroine that was flawed. I wanted her to be a real person. She's selfish, she's childish, she's immature and because I'm doing a three-book arc I really played that up in the first book. I wanted the reader to be annoyed with her at times.
When we were arguing on my twenty-fourth birthday, she left the kitchen, came back with a pistol, and fired it at me five times from right across the table. But she missed. It wasn't my life she was after. It was more. She wanted to eat my heart and be lost in the desert with what she'd done, she wanted to fall on her knees and give birth from it, she wanted to hurt me as only a child can be hurt by its mother.
He began to trace a pattern on the table with the nail of his thumb. "She kept saying she wanted to keep things exactly the way they were, and that she wished she could stop everything from changing. She got really nervous, like, talking about the future. She once told me that she could see herself now, and she could also see the kind of life she wanted to have - kids, husband, suburbs, you know - but she couldn't figure out how to get from point A to point B.
When Cath's eyes closed, her eyelids stuck. She wanted to open them. She wanted to get a better look at Levi's too-dark eyebrows, she wanted to admire his crazy, vampire hairline--she had a feeling this was never going to happen again and that it might even ruin what was left of her life, so she wanted to open her eyes and bear some witness.
But even in her laughter there was something missing. She never seemed to be truly happy; she just seemed to be passing time while she waited for something else. She was tired of just existing; she wanted to live.
Some women don't care how their quilts look. They piece the squares together any sort of way, but she couldn't stand careless sewing. She wanted her quilts, and Joy's, made right. Quilts stay a long time after people are gone from this world, and witness about them for good or bad. She wanted people to see, when she was gone, that she'd never been a shiftless or don't-care woman.
But as the scissors snip-snapped through her hair and the razor shaved the rest, she realized with a sudden awful panic that she could no longer recall anything from the past. I cannot remember, she whispered to herself. I cannot remember. She's been shorn of memory as brutally as she'd been shorn of her hair, without permission, without reason... Gone, all gone, she thought again wildly, no longer even sure what was gone, what she was mourning.
And all you can do is just read," she said. She raised her voice an screamed, "You just read and read and read!" Then she threw herself down on the table and wept.
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