A Quote by Alison Bechdel
I do sometimes miss doing that lighter, more humorous work, and I find there's a heavier responsibility that goes along with a literary reputation. You have to start knowing what you're talking about and you have to go have public conversations with writers. That's been pretty intense; I have to really stay on top of things in a way I didn't before.
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I remind myself that we need to continue to do the things we believe in and be even more vocal about asking people to do more. This might be my Scorpio talking, but everything feels more intense than before. I'll probably keep doing what I'm doing and shift gears if something comes along. I'm pretty fluid.
The reason I wanted to start directing is that as an actor I felt I came into a job late. There's a whole team of people who have been working on it for months before you start. You have this really intense period of filming and then you leave it, knowing that the director will work on it for another few months.
It's been written about as "the overview effect." All I can give you is my perspective, but most all of the people who have been in space start to see the world without boundaries. You start to think about how we can keep doing these things we're doing that are destructive of the environment and destructive of the planet. It causes you to start to think things in a quite different way than we had before.
The best shows I've done, the writers, actors, and directors have been pretty much left alone - maybe given a little guidance to make it a little more this or more that. But the heavier the hand on the show, I find, the more troubled the show is.
I do a lot of media work, I've been investing and I'm involved with real estate. It's totally different from what I had been doing but I find it challenging and fun. To be honest, I really don't miss the track. I pretty well accomplished what I set out to do and it was time to move on.
The work I'm doing on the screen differs from that of anyone else. My comedy is of a peculiar nature...no writers have been developed along the lines of my type of comedy and this is why I sometimes have differences with writers, supervisors and directors alike.
I don't think he was knowable. I mean, when most people talk about knowing somebody a lot or a little, they're talking about the secrets they've been told or haven't been told. They're talking about intimate things, family things, love things," that nice old lady said to me. "Mr. Hoenikker had all those things in his life, the way every living person has to, but they weren't the main things with him.
I'm lucky having parents that have been in show business for a while and they don't care about the shiny stuff so much. They raised me in that way - to stay grounded, not to chase the shiny pretty things. I stay in the moment, because when you do that the hype goes away.
They're pretty particular about what they show. They certainly edit the scripts and have conversations with the writers about what they are and aren't willing to portray. But the writers and the network are pretty much on the same page.
I'm going to work with Dan Clowes. After Charlie Kaufman, it's hard to fill up the gap. It's hard to find somebody who... A lot of writers, I can clearly see the desire of succeeding before the desire of expressing themselves. Sometimes people get upset when you want to be different. You were talking about "whimsical," which is a nice word. But sometimes they use the word "quirky" in the pejorative sense. I get frustrated, because they feel like I'm doing whatever I want, and there is no ground, and I don't really care. They feel it's cynical. But I don't think I have any cynicism in me.
Sometimes the characters develop almost without your knowing it. You find them doing things you hadn't planned on, and then I have to go back to page 42 and fix things. I'm not recommending it as a way to write. It's very sloppy, but it works for me.
Usually I work out the plot before I start. This time I thought: Writers always talk about not knowing where a book is going - -I want to experience that, too. What I found out is that it's very interesting, but it takes much longer because you have so many false starts. You take wrong turns and you have to go back and start the whole chapter, or the whole section, from scratch.
When I'm doing something I love, I can lose sleep. I can go and go and go and go. My work ethic is pretty intense. But when it comes to doing something that I don't love every day, I'm not very good at it. That's called work, and I don't like work that much.
There's a responsibility level that comes along with being a public figure. I can use this for really cool things. That really [allows] me to be very honest about my experiences.
Sometimes it's easier to make decisions when you know that you've tried things that are so wrong, you know, "OK, I don't go that way with it. I don't go this way with it." The way I work, I kind of have to go down all those wrong paths to know that the one I'm doing really is the one that is going to work.
Then I turned the page and at the top it said THINGS I MISS ABOUT M and there was a list of 15 things, and the first was THE WAY HE HOLDS THINGS. I did not understand how you can miss the way somebody holds things.
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