A Quote by Alison Brie

I feel like any time John Oliver is added to something, the comedy is instantly there. He's so funny. — © Alison Brie
I feel like any time John Oliver is added to something, the comedy is instantly there. He's so funny.
I do feel like guys feel pressure to be funny with me, which is kind of annoying. It's a turn-off if someone's trying hard to be funny because it feels like they're auditioning for a comedy job or something. It doesn't feel romantic to me. I get so much comedy from my life that, from a guy, I'm more looking for something sweet or romantic.
I feel like with comedy, the crazy things that happen are never serious you know? Like, rubble being poured onto you in drama would be something that's absolutely terrible, but in a comedy it's absolutely terrible but so funny.
I've noticed, as a comedy fan, that I really like Paul Thomas Anderson or Quentin Tarantino because when they're funny, they're actually funny. It's not like when other dramatic writers have comedy, and I'm just like, 'Well, that's not funny. Why are you even trying to make a joke here?'
Everybody either hates or loves John Cena; there's no medium. I feel like that I've accomplished something when I get people to cheer for John Cena. I feel like I've done something.
The only thing that I don't like is my kids watching comedy that isn't actually funny. There's a lot of supposed tween comedy on TV that isn't particularly funny, but it's got a lot of laugh track. And I go, 'Please don't watch that. Please just watch something that's actually funny.'
I never feel like it'll be something where like, 'Aha, I've got it. I'm funny for the rest of my life. I don't need to tell jokes anymore. I just am comedy.'
That word 'funny' always makes me feel uncomfortable. Because if I were trying to be funny, I would be something like Bill Wegman - he really tries to be funny. I don't try to be funny. It's just that I feel the world is a little bit absurd and off-kilter, and I'm sort of reporting.
This is going to sound pretentious, but I like comedy that addresses something I find either worrisome or interesting in my life. I like Louis C.K.'s stuff or Bill Burr's stuff. I feel like there's comedy where someone will think of something that they think will work comedically, and then they reverse engineer that point of view so they can say that funny thing. The comedians I like, it could be an allusion, but it feels like their point of view comes first and then the jokes are a reflection of what they actually believe, or are frightened of, or are curious about, or are interested in.
No one but John Oliver is going to be able to figure out the code of making a 20-minute monologue on futures, securities, and currency speculation interesting, funny, and poignant politically.
I feel like my comedy voice is to take the news and everything that's happening and put a funny spin on it or to pick out the things I find funny about it.
That's what's interesting about people. It can be funny, but when [John] Travolta got there and did [comic moments] you're like, "Oh! This is really funny." Or when Karen [Gillan] and Taissa [Farmiga] do something, I'm like, "This came out so much funnier."
Honestly, it's hard to learn about comedy from comedians. Comedy is not something that you necessarily learn or can imitate. You're funny or you're not, and you hope what you're doing is funny.
It's hard to learn about comedy from comedians. Comedy is not something that you necessarily learn or can imitate. You're funny or you're not, and you hope what you're doing is funny.
My family's always been really funny. I feel like comedy's hard. I feel like it's so important.
Everyone says comedy is really hard, but with 'The Office' the naturalism was everything so it didn't feel like doing comedy; it just felt like doing a really offensive character who thought he was funny.
Mmmm... the comedy that matters is the comedy you pull out of thin air. It's a bit like when something funny has happened and you try to explain it to someone else and end up saying, 'You had to be there'.
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