A Quote by Alison Doody

I don't want to work just for the sake of working. Generally, if a good script comes in, I read it, and if it appeals to me, it appeals to me. And it doesn't have to be anything - it doesn't have to be the main character; it doesn't have to be a huge part.
Generally, if a good script comes in I read it, and if it appeals to me, it appeals to me. And it doesn't have to be anything - it doesn't have to be the main character, it doesn't have to be a huge part. It could be a nice cameo - anything that I think is good and surrounded by good, enthusiastic people.
I seek a diverse spectrum of roles. If I just was in a large-budget feature for a younger audience, then I want to find a smaller, more character-driven piece that might be for a more mature audience. Or if I'm playing a goofier character, then maybe I want to go play a serious, psychopathic character. But at the same time, it's usually a case-by-case basis where I'm judging the merit of a role by the script I'm given, and it usually has less to do with the larger framework and more to do with how the part personally appeals to me in that moment.
If the script grabs me and appeals to me, I'm really very keen to work on it.
If I like it, if I think the character is going to be fun, if I think the story is good and if it appeals to me, then I want to do it.
I have goals and ambitions, and I see myself as a lifelong baseball student. I have certain philosophies that I'd like to test at some point at the big league level. The job of manager appeals to me, a coach appeals to me, at a different time frame.
Now I am practicing as well as a criminal defense lawyer in handling appeals. The court of appeals appointed me to handle cases and although that's not trial work and I don't have to go to court, it kind of satisfies the need I have to practice still and I have transitioned into readiness not to be in trial anymore. It took a little while for me to get used to not doing it and I did miss it for a few years, but eventually I transferred into another life.
I don't have any set things that I'm looking for, like, 'I've done this now I want to do this,' kind of thing. Just read the material, if it appeals, if it makes me laugh: like, 'Death at a Funeral' made me laugh out loud.
I won't complain, but I don't want to just be doing action films and extended character transformations, you know? I want to explore, and I'm up for anything. Honestly, I just want to read a good script and fall in love.
What I loved about playing the corpse is that obviously somebody else got to do the physical part. It appeals to the part of me that likes playing character parts and getting the chance to get away from my own physicality.
'La Cage' has got a broad appeal. It obviously appeals to the gay community, but it's also a good, fun show that appeals across a broad audience, a great big mixture.
The high-flying rhetoric of 'Making America Great Again' frankly appeals to me. It appeals to many people. But you've got to back that up with substance, and you've got to quit offending people who may not agree with you.
To make blatant racial appeals or just blatant appeals only targeted to the LGBTQ+ community, I didn't think that that was a winning formula, and it's also inconsistent with who I am.
What appeals to me in a project is, I'll read the script, and I'll be like, 'Is this something that's new and something I haven't experienced before?' And if so, 'Am I gonna be able to handle it? Am I gonna be up to this challenge?' That's what I try to do.
Borussia Dortmund are a huge club and the idea of replacing Lewandowski really appeals to me.
Islam appeals to people because it appeals also to reason.
The gospel is a reasonable system, and it appeals to men's understanding; it is a matter for thought and consideration, and it appeals to the conscience and reflecting powers.
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